Del reviews ‘Smile 2’
Pop singer Skye Riley finds herself being stalked by the Smile Entity in the followup to the viral horror movie hit "Smile" from 2022. This new excursion into that universe is even bloodier than the first. Paramount Pictures.
“Smile 2” Starring Naomi Scott, Rosemarie DeWitt, Lukas Gage. Directed by Parker Finn. Two hours, 7 minutes. Rated R. Theatrical release.
Plot summary: Comeback rock star Skye Riley finds herself stalked by the Smile Entity after witnessing the gruesome suicide of former classmate and sometime drug provider Lewis. A stranger, Morris, offers her a possible way of beating the entity.
Spoilers? None.
Del’s take
Halfway through “Smile 2” the couple behind me got up and left. I should have gone with them.
I didn’t like the movie.
Critics are raving. It was the top box-office draw its opening weekend. It’s well made and well acted. Director Finn and distributor Paramount are thinking about a threequel, I bet.
But lowly I, me, yours truly, didn’t like it. Why?
Because once upon a time horror movies were scary. “Smile 2” isn’t scary. It’s gross, violent and depressing, but it’s not scary.
I will say this: It’s got the coolest soundtrack I’ve heard in recent memory. And the cinematography was awesome. Upside aerials over the city? Very cool.
And the talent was invested in this film, no doubt. Naomi Scott and Rosemarie DeWitt were terrific. The others were good, some even memorable, like the creepy little girl at the meet-and-greet, who spoke nary a word but stared – and smiled.
But what can I say? I didn’t like the movie.
I remember a day when horror movies relied on storytelling, tension, and the audience’s imagination to make them scary. These days it’s all about jump scares and gore, and “Smile 2” is generously endowed with both. We get to see faces smashed with gym weights, jawbones ripped from skulls, daggers of glass pulled from bloody feet – it goes on and on. After awhile you just sit there in your movie theater seat, the soles of your shoes sticking to the gooey floor as this bloody spectacle plays out on the screen, the last molecule of empathy in your body bludgeoned into senselessness. The couple behind me missed the really bad parts.
Plus, it’s hard to feel anything for people who are so shitty, and every character in this movie is a creep to some degree, from burned-out ex-junkie Skye (Naomi Scott) to her insufferable stage mom Elizabeth (Rosemarie DeWitt) and looney drug dealer Lewis (Lukas Gage). Who cares if any of these guys gets a bedazzled microphone shoved through the eye?
Finally, what is the point of all this? What kind of object lesson are we supposed to learn? I tried to decide if “Smile 2” was a treatise on the wages of guilt, or a condemnation of the hollowness of fame and those who chase it. In the end I decided it was nothing but a pointless bloodbath.
But don’t listen to me. The critics love it, and so do moviegoers. Box Office Mojo reports “Smile 2” earned $23 million its first weekend, which topped the charts. All those people, and all that money, can’t be wrong. Right?
I give it a grade of C. Too bloody, too violent, too depressing for lowly me.
Del Stone Jr. is a former journalist and writer.
Today, I voted.
I didn’t vote for a person. I voted for values, and principles.
I voted for sanity, and reason.
I voted for truth, and the rule of law.
I voted for tolerance, and acceptance.
I voted for dignity, and respect.
I voted for the Constitution, and America.
I voted against things, too.
I voted against immorality, and a lack of ethics.
I voted against insanity, and chaos.
I voted against lies, and disrespect for the law.
I voted against intolerance, and exclusion
I voted against humiliation, and contempt.
I voted against fascism, and a police state.
Today, I voted for love, not hate.
If I had a message for you today, it would be to give hope a chance.
We know what fear, and rage, look like. We’ve seen them before.
Give hope a chance.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Hurricane Helene struck a couple of hundred miles to the east but still caused significant flooding at Ferry Park in Fort Walton Beach, Florida. Photos by Del Stone Jr.
Since the late 1800s, scientists have been telling us that our use of fossil fuels was changing the climate.
For the past 50 years, scientists have been telling us that the ice caps are melting and sea levels are rising; summers are growing hotter; droughts and forest fires are happening more frequently; thunderstorms and tornadoes are becoming more violent, and hurricanes are forming more often, intensifying more rapidly, growing stronger, and producing more rain.
The loss of life, the destruction, and the misery we are seeing in the Southeast right now, as a result of Hurricane Helene, was entirely preventable.
If we had just listened to the scientists and not the politicians.
This is too important not to say:
We have an election coming up.
One party believes climate change is a hoax.
The other party believes it’s real and we can do something about it.
For the love of God, people – vote for reality.
If you don’t, this will just keep happening.
It’ll get worse.
And right now, it’s hard to believe there could be a worse.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Wind-sculpted trees crouch atop a dune at Grayton Beach State Park. Image courtesy of Del Stone Jr.
“They paved paradise and put up a parking lot.” – Joni Mitchell, “Big Yellow Taxi”
The Florida Department of Environmental Protection, according to its mission statement, “protects, conserves and manages the state’s natural resources and enforces its environmental laws.”
Why then is the DEP, the sole governmental entity charged with “protecting” and “conserving” Florida’s unique and endangered natural resources, advancing a proposal that would threaten the very resources it is charged with protecting?
Cynically titled the “Great Outdoors Initiative,” the DEP proposal, according to a report by Brandon Girod of the Pensacola News Journal, would bring a mix of golf courses, hotels, pickleball courts and disc golf courses to nine of Florida’s state parks, including Topsail Hill Preserve and Grayton Beach State Park.
In the Panhandle, Topsail Hill would suffer the worst, receiving a 350-room resort, pickleball courts and a disc golf course. Pickleball and disc golf would also come to Grayton Beach State Park.
Never mind that this proposal, on its face, seems to contradict the point of even having a park; never mind that further development pressure would endanger the unique and irreplaceable ecosystems contained within those parks; and never mind that a growing number of Floridians and elected officials are saying they don’t want these parks developed; why would the state try to compete with the private sector in matters of resorts and golf courses when it has no aptitude for managing either, and with regard to golf courses, would be investing taxpayer dollars in a failing venture?
Golf is a failing venture. It has been declining in the United States for years, and continues to lose popularity as younger, less affluent generations look for other ways to entertain themselves.
In a Jan. 13, 2023 report, Amelia Josephson, writing for SmartAsset, noted, “Golf has had fewer and fewer players over the past decade. According to Pellucid, the number of U.S. golfers is down 24% in 2016 from its 2002 peak. The Pellucid report found that in 2013 alone, golf lost 1.1 million players. This number has continued to decline today.” Additionally, the number of golf courses in the United States has fallen 13 percent from 2006 to 2022, according to the National Golf Foundation.
As for hotel rooms and resorts, Florida is awash in both. Two of the top 10 hotel room cities in the United States are in Florida, according to a 2016 Statista report. They are Orlando and Miami. Orlando trails only Las Vegas in its number of available hotel rooms. Meanwhile, Florida’s revenue derived from hotel occupancy is second only to California’s and the gap is closing, according to a July 22, 2022 analysis by Oxford Economics.
Obviously the state needs another golf course like the proverbial hole in the head, and its hotel industry is doing just fine, thank you very much. What’s infuriating is that while the DeSantis regime fritters away its efforts on pointless and cruel political stunts like the drag queen dust-up, book bans, and now this absurd proposal to develop Florida’s state parks, it ignores the real problems facing Floridians such as climate change, the housing crisis and the spiraling insurance crisis.
Florida is home to plants and animals not found anywhere else in the world. Their existence plays roles in our lives not fully defined by science. More than that, we, as moral beings, have an ethical obligation to preserve life, not just for own aesthetic but for the rights of those other living things.
If there’s a market for more hotel rooms, golf courses and other amenities, the private sector will provide those things, on land more suited for those uses.
Florida’s uniquely beautiful and irreplaceably state parks must be preserved in their natural state for us and future generations to enjoy, and for the creatures with whom we share this earth.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Apparently Republican vice presidential candidate JD Vance believes “people” should remain in abusive relationships for the sake of their children.
He said this in a speech to a Christian school in 2021.
When Vance uses the word “people” I assume he means “women,” and I don’t want any MAGAts telling me otherwise. Women constitute 70 percent of domestic violence victims, and women file for divorce in almost 70 percent of the cases. Don’t tell me he’s not talking about women. That’s precisely who he’s talking about. “Women,” not “people.”
Too many Republicans are gay and oppose gay rights.
I have a couple of questions about this.
To begin with, what does the issue of women remaining in abusive relationships have to do with running the government? I’m asking this as a rhetorical question because I already know the answer, and that answer is: nothing.
Vance seems to believe that he, by virtue of his position as an elected official, is responsible for maintaining the moral center of our society, which is ironic when you consider Republicans are often the ones calling for limited government intrusiveness into our personal lives. I guess that rule doesn’t apply when you belong to the self-annointed “moral majority.”
Second, why isn’t anyone arguing this issue from the flip side of the coin, the male abuser? Why does he get a pass?
Again, I’m asking this as a rhetorical question because I already know the answer, and that answer is: Vance, and the object of his fawning adoration, Donald Trump, and many of the MAGAts themselves, are what women of the ’60s and ’70s referred to as “male chauvinist pigs.”
It’s true. They’re male chauvinist pigs – white men who will tell you up front that everybody is equal, then whisper behind your back that they are more equal than others.
As such they adhere to a predictably restrictive body of beliefs, among them that women should know their place in society; that people of color should settle for low-paying, low-profile and low-prestige societal jobs and status; and that members of the LGBTQ community should simply go back to the closet before they make anyone else uncomfortable.
They’ll do or say anything to maintain their white male hegemony over the rest of us.
If I were a woman, a person of color or a member of the LGBTQ community, I wouldn’t vote for the Trump-Vance ticket. You couldn’t pay me enough money to vote for the Trump-Vance ticket.
The fact that so many will scares me. Because it reminds me that too many people in this country are either poorly informed, don’t want to be informed, or they lack the ability to separate fact from faith. They’d rather entrust their future to a body of preconceived beliefs that have been rendered null and void by the ever-changing reality that the rest of us must deal with on a daily basis.
The past is gone. Time to move into the future.
And by the way, I’m a member of a family where the parents remained together “for the sake of the children.”
It was a living hell.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
All images courtesy of Netflix.
“Supacell” Starring Tosin Cole, Nadine Mills, Eric Kofi Abrefa, Calvin Demba, Josh Teduka, Adelayo Adedayo and others. Directed by Rapman and Sebastian Thiel. Six episodes, one hour each. Rated TV-MA. Streaming on Netflix.
Plot summary: Ordinary citizens who seemingly have no connection to one another mysteriously develop superpowers. A shadowy organization wants to sequester them from humanity.
Are there spoilers in this review: No.
Del’s grade: A
Del’s take
Admit it. There have been times when you’ve wished, by the power of your mind alone, you could float the TV remote to within reach, cause the ATM to spit out an extra hundred dollars, or flatten the tires of that jerk who pulled out in front of you.
I have. Matter of fact, one time I tried to use telekinesis to make my car keys leap into my hands. Instead, people who were watching threatened to have me committed to the mental ward at the local hospital.
Alas, none of us is an X-Man – except Donald Trump, who has the power to turn people’s brains into mulch. Intellectual rot is deeply and irrevocably contagious.
But it’s nice to dream about such things and that’s the essence of “Supacell,” the new six-episode series streaming on Netflix. In “Supacell” people who inherit a mutated sickle cell gene develop a superpower, sometimes multiple superpowers, and in shades of “Firestarter” those nasty killjoys with the government are out to get them.
What sets “Supacell” apart from “The Uncanny X-Men” or other superhero stories is that the people, all black, come from ordinary walks of life, including some walks of life that are, shall we say, less than honorable. They don’t wear capes, they don’t look weird (apart from a momentary orange glow – or is that spray tan – emanating from their eyeballs), and they don’t have the usual crime-fighting truth/justice/American way agenda of, say, a Spider Man or Green Lantern.
Instead, they’re just ordinary people; well, I should say ordinary British people, going about their ordinary British lives until one day they look up and discover they can run faster than The Flash, teleport across town, or slam that bad Tinder date against a brick wall with the flick of a finger.
I wasn’t so much interested in their extranormal capabilities as I was the unfolding storyline, and here is where Rapman, the rapper and producer who is also the writer and director of “Supacell,” excels as a creator. Each character has his or her conflict trajectory and somehow – don’t ask me how – these disparate plots are woven into a single, overarching story arc with such seamless, organic dexterity that I, as a writer, am still trying to figure out how Rapman pulled it off. You thought “Stranger Things” was complicated? This is complicated. But it sure looked easy.
The actors chosen for the black roles are all excellent. There wasn’t a bad performance in the lot. With the white roles things become a bit more hackneyed. I’m not sure we need another white female villain (Sian Brooke as Victoria Kesh); Elisabeth Shue (Madelyn Stillwell on “The Boys”) and many notable others have met that quota. Ray (Eddie Marsan), who is Victoria’s immediate subordinate, comes across as the lite version of a squeaky and silly Bond bad guy.
Foul language and sex are rampant, and the story dives headlong into the seedy London drug trade, so “Supacell” is NOT a series you’d want for the kiddies. Plus, I watched it with subtitles on because I could not keep up with the accents and slang.
“Supacell” ends with a cliffhanger … and an obvious solution, which makes me think creator Rapman has something special in store, something that defies obvious. Whether he does or not, I’m definitely checking out Season 2 as I’ve got to see what happens next.
So there we are. “Supacell” won’t cure cancer or ensure world peace, but it promises six hours of good entertainment and I’m giving it a score of A.
No where did I put those car keys?
Del Stone Jr. is a former journalist and writer.
This morning I saw something I’ve never seen before.
When I pulled into the parking lot at the park where I walk, two high school-age boys were playing basketball. At one point one of them lay down on the court while the other continued shooting hoops. Then he came over, lay down beside the first boy, and the two of them kissed. It was a long, soulful kiss, a lover’s kiss.
Then they got up and continued playing basketball. A minute later they went to their car, popped the trunk and put their stuff inside. One boy wrapped his arms around the other from behind and hugged him, laying his head on the other boy’s shoulder. Then they got in the car and left.
I honest to God almost cried.
At first, I couldn’t figure out why. Was I happy for them? Well, yeah, but not THAT happy. Was I envious of their happiness? Of course, but not to the point of tears.
Finally, I decided it was grief I was feeling – for all the boys I never kissed when I was their age. For the proms I didn’t go to, the homecomings I missed, or the simple joy of staring into the eyes of another human being.
For the life I didn’t live, because the world hated people like me, and I was terrified of that hate.
I realize by posting this I’m breaking the Sunshine, Lollipops and Rainbows rule, where never is heard, a discouraging word. I no longer care. To the people who’ve told me I’m gloomy, or negative, I want them to know I can’t be happy because I’ve lost so much, and now I’m afraid it’s too late.
I’ve gone to the events and attended the meetings. I’ve waved the flags and worn the T-shirts. I’ve even tried those ridiculous apps. People are polite but not interested, not in friendship or anything more than friendship.
I wear my heart on my sleeve. I overshare. And yes, I have regrets. That’s me. Feel free to take it or leave it. But let me leave you with this parting thought:
If there’s a person in your life who’s like me, for God’s sake, tell them it’s OK. Let them know you love them. Tell them not to be afraid.
I should’ve been like those two boys, who’ve clearly told the world to eff off. I should’ve risked happiness.
I really am happy for them.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Today is Mom’s birthday. She would have been 97 (and would have killed me for telling you that). Happy birthday, Mom!
“Rebel Moon – Part Two: The Scargiver” Starring Sofia Boutella as flabbergasting Kora; Djimon Hounsou as uninspiring Titus; Bae Doona as almost likeable Nemesis; Michiel Huisman as meek Gunnar; Staz Nair as the soppy prince Tarak, Ed Skrein as the only-good-enough-character-in-the-film Atticus Noble; and others. Directed by Zack Snyder. Two hours, 2 minutes. Rated PG-13. Streaming on Netflix.
Plot summary: More of mediocre and trope-filled “Rebel Moon – Part One: A Child of Fire” but 17 minutes longer. Rednecks fight an evil empire that can’t feed the soldiers it sallies to subdue rednecks.
Mladen’s grade: C+
Dels grade: D
Mladen’s take
This is an unauthorized review. That means it wasn’t approved by Del. He wanted me to review (and, someday, I will) a movie titled “This Is Not a Test.” Sheesh, Del, are you still afflicted by your memory of the Cuban Missile Crisis? Is that why I’m supposed the review “This Is Not a Test?” Because it’s a nuclear warhead Armageddon film and you’re worried that the Small Man in Moscow will trigger World War III via Ukraine that plunges all of us into Hobbes’s state of nature.
Anyway, let’s talk “Rebel Moon – Part Two: The Scargiver” recently launched on Netflix. Two is no better than One, which is to say all the principal characters, barring one, are bland at best and unlikeable at worst. Don’t care about Kora’s faux internal conflict. Don’t care about Titus’s guilt. Don’t care that Tarak is a nepo baby trying to redeem himself. Just. Don’t. Care. That’s a problem because Rebel Moon offers nothing by way of an original story or grand ideas.
Ready for some alien invasion action? Check out Mladen’s and Del’s review of “The Tomorrow War.”
If there’s nothing pathbreaking in a film, the only factor that can save it is a good script. Neither Rebel Moons have good scripts. Two is packed with the banal such as near-immortality to keep the bad guy going, i.e., resurrecting someone from the half-cell that was saved after they’ve been incinerated, blasted apart, depressurized, I don’t know, take your pick of demises. Other banalities abound, too. Stuff like peasants fighting to keep their simple lives, peasants organizing an effective armed resistance against the system’s behemoth power, Motherworld, with two days of combat training, and peasants harvesting a massive wheat fields in three days using scythes so that they have two days to get military training before the Man arrives with a dreadnought the size of a city and thousands of troops. And, how the hell is the Rebel Moon able to produce an atmosphere, lithosphere, and hydrosphere that sustains carbon-based life when, on the horizon, is a gas giant that should be either emitting extreme magnetic radiation from its core that sterilizes everything on the moon, or locks the moon tidally so that all you get is extreme heat without darkness on one half and extreme cold without light on the other.
The secret to enjoying Two for what it is, a second-rate “Star Wars” or “Starship Troopers,” is to pay attention to the film’s few merits.
There’s the sublime evilness of Atticus Noble, the soulless admiral in charge of the Motherland force trying to sack Rebel Moon and capture Kora, who has an alias that, when revealed, surprises or shocks no one in the village. Noble is fit. Noble has a good vocabulary. Noble, who is the opposite of the meaning of his surname, keeps his uniform tidy and his composure intact as he whacks peasants and beats the crap out of Kora. Hated to see him die.
Also noteworthy is the film’s score. The music is particularly effective during Two’s last 50 minutes. In fact, just skip to the last 50 minutes of the film to immerse yourself in the spectacular visual effects. The battle scenes are terrific. Watching automatic plasma fire in slow motion fracturing and melting structures again and again never became boring. The sound is top tier, too. Everything from the zip-bang of rifles to the blast of the big gun on the dreadnought enhanced the VFX.
If you watched One, you may as well watch Two. And, yes, prepare yourself to watch Three, which is on the way. Three promises to be the all-or-nothing showdown between the Dark Side of the For … ah, between the Saviors of the Peasants and the top Motherworld Bad Guy, whose name sounds like it was ripped off from the name of a genus of dinosaur.
Del’s take
After watching “Rebel Moon Part Two: The Scargiver,” I’d like to ask, who’s the more scarred – the movie’s viewpoint character or ME, after Mladen dragged my sorry ass back into that steaming pile of wookie poop. I’ll say this about Part Two – it earned an even lower score than Part One’s dreadful Rotten Tomatoes rating of 23, clocking in at a mere 15 percent. That’s almost as shitty as Truth Social’s stock price.
Check out Del’s review of “Avatar: The Way of the Water.”
Mladen and I reviewed Part One last December and what can I say? Part Two is just as awful. OK, let me back up. It’s maybe a smidge less awful because the audience isn’t forced to suffer through the painful backstory infodump that took place in Part One. See? There is a God.
Here’s what I wrote in my review of Part One. These observations remain painfully true of Part Two:
“Rebel Moon” is Star Wars Lite, if such a thing is possible. When I saw director Snyder’s remake of “Dawn of the Dead” I told myself, “Now here’s a guy who knows how to make a movie.” Unfortunately, Snyder is a guy who knows how to make one movie. “Rebel Moon” looks just like “Sucker Punch,” “300” and “Watchmen,” and despite the lofty ambitions, it’s surprisingly bereft of depth.
Let’s not even talk about things like tropes or archetypes – “Rebel Moon” is a bad copy of a bad copy, like that photocopy of the mysterious night shift worker’s ass that turned up on the Xerox machine one morning and now everybody’s passing it around the office.
Dialogue is, well, corny. And not just corny corny, but fanboy at the science fiction convention Dungeons & Dragons icebreaker corny. Characterization is practically non-existent – you’ve seen these people in dozens of movies over the years, starting with Akira Kurosawa’s “The Seven Samurai,” the same place Snyder got the plot. It would have been hilarious if he’d ripped off J.J. Abrams. Alas, the universe doesn’t have that ironic a sense of humor. FX are not great, either. I should think $166 million would buy you a more realistic-looking spaceship or future city.
It’s all a gussied-up, overhyped pile of same-old, same-old, and I’ll be honest – it actually offends me. The science fiction genre – at least the printed-on-paper part of the genre – has thousands of really terrific stories waiting to be told. Why waste $166 million on this retread?
Are you getting the idea I really hated this movie?
I did embrace one aspect of the Rebel Moon universe – I bought two bags of Rebel Moon popcorn, but only because Walmart had them marked down to $2 apiece. And let me say, even the popcorn was crappy – chewy and stale, with lots of tooth-breaking unpopped kernels. If you want a really good bag of movie-style popcorn I recommend the AMC brand. It’s awesome. Just be sure to heat it up in the microwave for 30 seconds.
As Mladen, in a rare moment of cognitive awareness, pointed out, there actually may be a Rebel Moon Part 3. I’m telling you right now if he tries to make me watch that crap I’ll retaliate with lots of gay romance movies and a doc about the continuing evolution of the band Duran Duran. By the way, did you know they got that name from an old Jane Fonda movie, “Barbarella”? Yeah. I saw “Barbarella” at a drive-in in the early ’70s. Drunk, of course, because that’s the only way you can sit through a showing of “Barbarella.”
I give Part Two a D. It’s a goulash of clichés and horrible dialogue, and I’m angry Hollywood thinks I’m stupid enough to want that.
Mladen Rudman is a former journalist and technical writer. Del Stone Jr. is a former journalist and writer.
Better living through technology? Sure, when it works.
But more and more I see technology becoming a dehumanizing influence on our lives, requiring that we spend more and more of our discretionary time on meeting the demands of the digital beast, abetted by a corporate mentality that favors money over all else.
A month ago I noticed my mobile phone bill had gone up by $5. I called the company to ask why and was given every answer but the real one – because they wanted more money. But they offered to switch me to a different plan, one that would do away with my ability to use my phone as a hotspot but would cost $10 a month less. I told them to do it.
Cut to yesterday. I receive a text message that says the mobile phone service provider is charging X number of dollars to my credit card. The amount is the same as the previous month.
So I spend a big chunk of this morning getting to the bottom of the problem, which appears to be that my new plan didn’t “take,” whatever that means.
This comes on the heel of a slew of automated text messages from medical entities wanting me to pay my bills – in one case I had already paid the bill and in the other, it’s set up to automatically bill to my credit card. And let’s not talk about the $5,000 error made by the hospital, which has yet to be resolved.
Technology is fine. But in the hands of corporations that don’t give a damn about anything except money, it has become a thing of evil. It has two imperatives: the alleged convenience it provides to us, the customer, which is debatable; and second, the benefit nobody talks about – reduced corporate costs, i.e., higher profits.
The corporate scramble for lower costs and higher profits has cheapened all our lives. A significant portion of the inflation we see today is the result of corporate profiteering. Their cost-cutting measures, with the transfer of work to the customer, have made our lives more stressful and less rewarding, especially at the hands of a quixotic technology base.
Orwell tells us that government is Big Brother. No. George got it wrong. Corporate America is Big Brother. Government is only the Drunk Uncle.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, Ello and Instagram. Visit his website at delstonejr.com .