“Knock at the Cabin” Starring Dave Bautista, Jonathan Groff, Ben Aldridge, Rupert Grint, Kristin Cui and others. Directed by M. Night Shyamalan. 1 hour, 40 minutes. Rated R. In theatrical release.
I’m not a fan of M. Night Shyamalan. His stories begin with promise but falter, and by movie’s end I’m feeling robbed of my ticket cost. “Knock at the Cabin” may or may not be one of those movies. I’m undecided. Look at it one way and it’s a good comment on a current problem. Look at it another way and it’s an infuriating concession to another current problem.
“Knock at the Cabin” is based on the Paul Tremblay novel “Cabin at the End of the World,” a much cooler title if you ask me. A gay couple and their adopted daughter spend a weekend at a cabin in the woods and are set upon by four religious cultists who force them to make a choice – sacrifice a member of their family or the world will be destroyed in an apocalypse.
The movie kinda-sorta follows the novel until the last act, when Shyamalan opts for a standard-issue horror movie ending. If I were Tremblay I’d be disappointed but I’ll bet he isn’t. To have your book rendered into a movie by a big-name Hollywood director … well, that’s something, despite the flaws.
The talent is terrific, and let me say right up front that Dave Bautista is amazing. He steals the show. Kristin Cui as the adopted daughter, and Ben Aldridge as the moral compass of the gay couple, are also terrific. Even Rupert Grint does a passable job with American English.
You can look at “Knock at the Cabin” a couple of different ways. As an indictment of the introjected homophobia our culture inflicts on each of us, it’s pretty darn effective. Toward the end Aldridge delivers a soliloquy that sums up the gay point of view on that subject.
Look at it another way, however, and “Knock at the Cabin” suggests there’s something to the conspiracy theories and fear-mongering division perpetrated by QAnon-like fringe element freaks and extremist Republican imbeciles, and in that capacity it provides a horrible disservice to any attempt to inject reason into that conversation.
I haven’t decided which it is. I will say a day or two after watching it I’ve been left with only one strong impression – Bautista is a damn good actor. Everything else was forgettable.
I rate “Knock at the Cabin” a C+. It’s one of Shyamalan’s middling efforts, and the title sucks. At worst it’s a validation of all the kooks and crazies who have made this country the laughingstock of the world.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at firstname.lastname@example.org. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, Ello and Instagram. Visit his website at delstonejr.com .