Does the Trump regime really believe it can tell other nations how to run their societies?
Image courtesy of Flickr user Giuseppe Milo https://www.flickr.com/photos/giuseppemilo/
If this were not true before, it’s true now: The Trump regime has jumped the shark – the shark, the cow, the moon, everything jumpable.
I saw this yesterday and didn’t believe my eyes, so I did some digging. Sure enough, it’s true.
The Trump regime has informed the city of Stockholm – as in Stockholm, Sweden – that if it and its contractors intend to continue doing business with the United States it had better set aside its DEI policies.
Apparently other entities in Europe – private companies, municipalities, even nations – have received similar instructions.
At this point I have one question for the Trump regime:
Just who the hell do you think you are?
Who do you think you are, that you can require a foreign entity, be it a private company, a city, or a state, to follow your loathsome guidance on issues of internal policy? The unmitigated gall of this demand, the towering hubris, defies belief.
A few weeks ago I heard a report that during the trade negotiations between the United States and Great Britain, the United States demanded that London terminate its protections for the LGBTQ community. I didn’t think that could be right, so I did some online research. I found a single newspaper article, which used an unnamed source, so I dismissed it as not credible.
Now, I’m not so sure.
Such a demand would be entirely consistent with the Trump regime’s current irrational behavior.
The city of Stockholm, as did the other European entities presented with this ridiculous requirement, told the Trump regime to go fuck itself. Good. That was the correct response.
Because the Trump regime is like an out-of-control cur dog that is running loose and biting everybody. It needs to be yanked back on its chain.
The arrogance is breathtaking.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
In a recent interview Secretary of Education Linda McMahon made several references to what she called “A-1 learning.”
What she meant, of course, was AI learning – “AI” as in “artificial intelligence.”
Sounds like McMahon could use a dose of AI learning herself.
I’ve got to be honest, I don’t know which scares me most: the thought of Skynet teaching our children, or having a secretary of education who conflates artificial intelligence with … a steak sauce?
Either way, it bodes ill for education in this country for the next four years.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Have you seen the pathetic new videos the MAGAts are producing, the ones where they clap along with the Iggy Azalea song “Black Widow” while displaying an obnoxious MAGA-inspired message such as “My momma didn’t raise no liberal!” or “We’re getting EXACTLY what we voted for”?
You haven’t seen those?
Be glad. You can hear the brain cells dying as you watch them. The sound is like Rice Krispies.
You know, when I was a kid we went to one of those aquatic parks, the ones where the animals perform tricks for food. They had a seal that would swim out of a pool and up on a stage, where it would balance a rubber ball on the tip of its nose, toot a little horn, and then, with its handler holding a mackerel above it, clap its little flippers – clap clap clap clap clap – and the handler would drop the mackerel down its gullet.
Those videos remind me of that seal, clapping its little flippers so somebody would drop a mackerel down its gullet.
And forgive me for noticing but these videos are being produced by a certain, shall we say, demographic. That demographic would be the one where the women apply their makeup with a cement trowel so they can strut their stuff in the parking lot down at the dollar store, and the men stand around all day admiring other men’s trailer hitches, especially those with the little metal scrotum swinging off the end.
Then, at the end of the day, they pick up a $7 case of Natty Light and a bucket of Walmart fried chicken and they all get together for a romantic evening under the stars of shooting rats with the .22 down at the garbage dump.
Keep clapping, little MAGAts. Maybe somebody will drop a fried drumstick down your gullet and you can celebrate with $10 worth of scratch-offs and the dollar store special, a real glass bottle of Miller High Life.
Clap, little MAGAts, Clap!
Ha ha ha ha ha ha!
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
It didn’t take long for the MAGAt armchair economists and social media global trade experts to crawl out of the woodwork after a trade deal between the United States and the United Kingdom was recently announced.
These savants of international finance were quick to laud President Dingleberry’s almost supernatural grasp of economics and suggested the deal proved the efficacy of tariffs.
They failed to mention three significant flaws in their reasoning:
1. They don’t know anything about the trade deal.
By the Dingleberry regime’s own admission, no details about the agreement have been released because THEY ARE STILL WORKING OUT THE DETAILS. So the MAGAts know nothing about the deal … yet they know it’s a good one, and they know tariffs work. All based on vaporous rapture.
Got it.
2. They have completely changed their position on tariffs. Before, they were pitching tariffs as a kind of financial instrument that would return prosperity to the United States. Later, having finally figured out that THEY, not the exporting nation, would be paying the tariffs, they changed their tune. Now, tariffs are a kind of negotiating strategy, a form of leverage, or what I would call a “ransom” – you pay our ransom, we remove our tariffs.
Drug cartels do the same thing by kidnapping foreigners and demanding payment for their return.
3. Either they did not know this or didn’t bother to check, but the United States ALREADY HAS A TRADE SURPLUS with the United Kingdom. Britain buys a lot more of our crap than we do theirs. In fact, if there was ONE NATION on the planet that we DID NOT need a new trade deal with, it was the United Kingdom.
So in essence the MAGAts took something we already had, ripped the head off, rammed it onto a pike and are parading it around in a kind of bizarre “Lord of the Flies” scenario as if it were a trophy.
Again, got it.
Which means MAGAts and their leader, President Dingleberry, know absolutely nothing about these issues. They are hopelessly clueless when it comes to matters of trade and the economy.
Yet that doesn’t stop them from braying their propaganda and disinformation.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
I hear President Penile Implant is thinking about giving reparations to the Jan. 6 monsters. All I have to say is this:
Not. One. Penny.
Not one fucking penny of my tax dollars go to those animals.
Trump may like them but we know what they did. They killed people. Assaulted people. Destroyed property. And tried to overturn a free and fair election.
They don’t deserve reparations. They deserve prison. And they were instigated by that beast in the Oval Office. He deserves a mental institution.
Not one fucking penny.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
The other day President Skidmark said he’s not only ruling the nation, he’s ruling the entire world.
Give me a break. That guy can’t even rule his own bowels.
I’m beginning to think what we’ve got here is a “Weekend at Bernie’s” scenario, where they haul him around, prop him up, make it look like he’s doing things – stick an executive order in front of him and move his little hands so he can sign it.
The real brokers of this coup are the Project 2025 demons. As far as I’m concerned every damn one of them should be rounded up, charged with sedition and sent to Guantanamo Bay where they can rot for the rest of their lives.
As for President Skidmark, he can retire to Mar-a-Lago and spend his days at the beach with his metal detector …
… searching for fool’s gold.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Over the years I’ve had any number of people knock on my door, people after my heart, my mind, my soul – Mormon missionaries wanting to tell me about the LDS church, Jehovah’s Witnesses wanting me to read their pamphlets, Baptists wanting to show me the way to Jesus, Republicans and Democrats wanting me to convert to their party and vote for the candidate.
But in all those years, not one time, never once did I have a member of the gay community knock on my door and say, “Hey! You wanna be gay?”
I’ve never had a trans person knock on my door and say, “Hey, you wanna change your gender?”
And I ask you, is it possible – is it in any way conceivably possible – that you have been duped by self-serving politicians and so-called religious people who’ve always got their nose in your crack, to think that the LGBTQ community, and the trans community, somehow pose a threat to your family, when in fact if you just left them alone, or better, treated them like actual human beings, everything would be fine?
You think that’s possible?
Think about it.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Image courtesy of Marvel Studios and Disney.
Starring Florence Pugh as unhappy Yelena Belova, Julia Louis-Dreyfus as evil Valentina Allegra de Fontaine, Hannah John-Kamen as space warping Ava Starr, David Harbour as lovable Alexei Shostakov the Red Guardian, Sebastian Stan as Congressman Bucky Barnes with the super arm, Wyatt Russell as Captain America wannabe John Walker, Lewis Pullman as bipolar Robert Reynolds, Geraldine Viswanathan as implementer of evil Mel, and others. Directed by Jake Schreier. 2 hours 6 minutes. Rated PG-13. Theatrical release.
Plot summary: Three former foes, the reformed Winter Soldier, and a father figure-like limo driver team up to help Bob (aka Robert), a Super Man-like personage, lift himself from the pit of despair to keep himself, themselves, and at least a part of New York from getting consumed by the Blackness of Past Bad Deeds and Regrets which he generated.
Mladen’s take
This feels weird. I’m writing my first Movie Faceoff without the Face Off. Del, for some mealy and vague reason, chose not to see “Thunderbolts*”. Too bad, Stone, it’s a pretty good piece of moviemaking. And, yeah, it helped that Dusty and I saw the film in a Dolby-equipped theater. Lots of gunfire, explosions, concrete fracturing, metal twisting, and a crane falling from great height make for terrific entertainment when you can feel the noise throughout your body.
“Thunderbolts*” is an odd superhero film. Sure, even the B-tier superheroes portrayed in this movie are way more capable than your average Joe but, if the film has any message about the wonders of having exceptional power, it’s this: One’s mental health is important, too. It wasn’t until I mentally accepted the movie’s premise that I was able to sit back, legs reclined, to enjoy the vast chaos unfolding before my eyes on a two-story screen.
Two characters in particular made the movie enjoyable, though all the acting is good.
Louis-Dreyfus’s de Fontaine, the director of the CIA and mastermind of a program to make the next superhero because the Avengers are gone, is an immaculate evil-doer. De Fontaine takes the hunger for power and her self-image as America’s savior to the next level. She plays with fire again and again without getting burned. Hell, she even tries to overpower Bob through the con games of persuasion, motherly guilt, and intellectual bravado and, get this, survives. Impressive. Why? Because Bob is starting to realize he doesn’t have to listen to anybody about anything. Why? Because he can kick anybody’s ass anytime. In fact, he can kick multiple asses at the same time as a neat fight sequence about half-way through “Thunderbolts*” demonstrates.
Harbour as the Red Guardian is an ox of a man with a heart as big. He also has a sense of humour, ah, humor. He is the film’s light-hearted comic relief, extracting optimism from a flood of bad news at every turn and spraying the hope again and again that everything will be OK. The Red Guardian does all of that without getting campy. Stick around for the two scenes as the credits roll. He’s great in both.
I suppose the film’s focus on the debilitating effects of traumatic childhood events and the feeling of purposelessness in adult life should be commended. That both are central to the plot of “Thunderbolts*”, a film that falls squarely in the superhero genre, is captivating, sort of. Maybe it’s even cathartic. Many people believe what they see in movies is true. A superhero suffering from mental illness shows regular folks that depression can afflict anyone, that it’s not a weakness or a character flaw. But, in the film, the effort to depict the psychological impact of a troubled mind as a tangible fixture of, I don’t know, the Marvel multiverse, leads to confusing imagery and hyper-kinetic action amid the clutter of moving rapidly from one space to another with intermittent bouts of shattering glass and walls disappearing and such. It is a jumble of “Inception”-like confusion. Thank goodness for the Dolby-amplified noise that came along with those scenes. The sound effects rendered those parts of the film only mildly frustrating.
Also, I’m irritated by the asterisk in the title of the movie. Anyone know what it means? I didn’t see a footnote at the bottom of the movie poster or as the credits rolled explaining the asterisk. So, I’m guessing that the asterisk provokes the question about what’s next for Marvel. Come on, Disney, are the gang of five mostly do-gooders in “Thunderbolts*” the new Avengers or are they not?
Film grade: B
Mladen Rudman is a former journalist and technical writer. Del Stone Jr. is a former journalist and writer.
To quote MAGA, “The Ford Motor Company is bringing back four factories, and 25,000 good-paying jobs as a result of Donald Trump’s tariffs.
“But go ahead, liberals. Keep telling us tariffs don’t work.”
Well, OK.
The Ford Motor Company is NOT bringing back four factories, and 25,000 good-paying jobs, as a result of Donald Trump’s tariffs.
It’s not bringing back four factories, and 25,000 good-paying jobs at all.
That story is a fake, a hoax, a joke story posted on a humor website.
But go ahead, MAGA. Keep telling us tariffs work as you stand there, looking like a complete idiot, waiting for Rapunzel to let her hair down.
You people are ignorant.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
The other day, as President Brandon gleefully slashed funding for NPR and PBS, he posed a rhetorical question:
Why should a coal miner have to pay for PBS?
Ignoring the obvious implication that coal miners are too stupid to enjoy anything as intellectual as PBS, I would point out that when you use that kind of rhetorical gambit, you’d better be prepared to respond to that kind of rhetorical gambit.
So I have a few questions for President Brandon.
Why should I have to pay for you to play golf?
Why should I have to pay for your wife to live in splendor in New York City?
Why should I have to pay for a South African billionaire to wreck the government and steal our data?
Why should I have to pay the salaries of the criminals, morons, imbeciles, thieves, liars, cheats and scumbags you’ve hired to work in your administration?
You see, President Brandon, I don’t mind some of my tax dollars going toward any effort by our government to educate and ennoble the population. I feel like an educated and ennobled population makes for an educated and ennobled society, and that’s the kind of society I want to live in. You wouldn’t know anything about an educated and ennobled society, because you don’t know anything about education or nobility.
You’re just trash.
And by the way, President Brandon. I’ll bet there are lots of coal miners who enjoy PBS and NPR.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .