Well, goodbye, little house. I sure did love you. I sure did
I’m gone from the townhouse.
It was a sad moment. I spent the morning hauling boxes of books and photo albums from the upstairs bedroom, what was once my office where I wrote “Dead Heat,” “Black Tide” and “I Feed the Machine,” among many other works of fiction. I vacuumed the place, swept the floors, scrubbed the toilets and cleaned the oven.
When I moved to the townhouse, way back in June 1990, I thought I had died and gone to heaven. For the first time in my adult life I had central air and heat. A swimming pool. Wall-to-wall carpeting. A dishwasher! I didn’t use the dishwasher the first year I lived there. I was not accustomed to such luxury.
As I vacuumed, I studied the dimples in the carpet. Memories flooded in. There sat the love seat, where I sobbed when it finally sank in that Dad was dying. I lay on that love seat one night, praying for the telephone to ring as I died of a broken heart.
The sliding glass door still bore faint imprints of masking tape I used when Opal smashed ashore in October 1995. The upstairs toilet had a padded seat with a small tear from the cats using the toilet as a drinking fountain. I owned a set of barbells that left trenches in the carpet. One night, Chris and I lay next to those barbells and oohed and ahhhed as an electrical storm fizzled and popped outside.
My cats lived their entire lives at that townhouse and today as I cleaned I found a spot where Pavlov threw up when he was so sick he’d retired to a spot behind the TV, waiting for death.
I remember coming home on the night of Sept. 11, 2001, exhausted and horrified, and turning on HGTV because I could not stand to watch another building explode. I remember coming home one night in 1993 and finding a letter in the mailbox from Bantam Books, what I thought was a rejection of my story “The Googleplex Comes and Goes.” It was not a rejection. It was an acceptance. And after I finished whooping and hollering, I got in the car, drove to Whataburger, bought a chocolate milkshake, and drove around town at 1 in the morning, chair dancing to the radio and basking in a glow of relief and satisfaction. It was my first professional sale.
The townhouse was my shelter, my refuge. I stayed there during the awful days and nights of Opal and Ivan. I was there when the economy tanked in 2007, and when the 1990s became the 2000s and nobody knew what to call them. I moved to the townhouse when I was 35 and moved out when I was 59. You can’t live in a place for 24 years without some of it rubbing off on you, and some of you rubbing off on it.
I am not the same person I was in 1990. I hope I am better – smarter, wiser, more patient. But who knows?
As I vacuumed, I spotted something lying on the carpet. A cat claw. The cats, they were always chewing their nails. Maggie died in 2005. Pavlov in 2009. Yet here, on this day in 2015, I found something they left behind, a little piece of DNA that would mean nothing to nobody but me.
I finished cleaning the oven. I put the cleaning materials in the car, and cinched up the ties on a plastic bag of garbage for the long walk to the Dumpster. I was finished.
As I headed for the front door for the last time, I stopped in the hallway and looked back to the living room. I said, “Well, goodbye little house. I sure did love you. I sure did.”
And then I went outside, locked the door, and left.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
This morning I took Pavlov to the vet and she had The Talk with me.
The Talk amounted to this: If at any moment after today I look into his eyes and decide he’s had enough she would support my decision.
So. My old friend’s life is in my hands.
I am giving him double the insulin and double the fluids I was before. He has three kinds of food he can choose from. He gets a massage/brushing every day, a laxative to keep him from becoming constipated, and antibiotics for a persistent respiratory infection. Apart from that there’s nothing I can do.
He spends his day crouched on the Polo beach towel by the door to my office. He still eats, drinks and poops but that’s about it. Sometimes he will visit me on the couch but he always retires to the floor behind the stereo.
From a human perspective that’s not much of a life, but for a cat it may be exactly what he wants right now.
I don’t think he’s suffering. He doesn’t look like he’s in pain. But I can see he’s tired, maybe too tired. I don’t know.
Once before I said I’d give him a week. Sure enough he bounced back. But the news today suggests he may have used up all the reservoirs of strength he’s been running on.
We’ll see how he’s doing at the end of the week. I’ve got to give the insulin a chance to work.
If it doesn’t, however, then I guess I will do what a friend would do.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, Ello and Instagram. Visit his website at delstonejr.com .
Photo courtesy of Del Stone Jr.
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Wednesday was Take the Cats to the Vet Day.
Lest you think this is a trivial subject unworthy of a column, let me assure you I am tired of solving world peace, curing fatal diseases or fending off overtures from Jennifer Lopez or the Republican National Committee.
Besides, preparing for this trip required more planning than D-Day.
To say, “The cats don’t like going to the vet” is like saying, “Godzilla doesn’t like Tokyo,” meaning these normally placid animals are transformed into screeching, fur-covered Obama bin Ladens once the pet carriers come out of the closet.
Worse, these cats, Pavlov and Maggie, are fully mission-capable – they have fangs and claws, and they know how to use hem. All allegiances are off on Vet Day.
My first step was to close all the doors in the house while the cats napped blissfully in the living room. They instantly knew something was up. Maybe I was giving off Vet Vibes. But they slunk off to parts unknown – until they realized I’d cut off all their hiding places.
That’s when the screeching began.
I managed to get them into the pet carriers. Maggie has a set of claws that would cause Jack the Ripper to swoon with envy, and she likes to rake them across my wrists, which I think would make her an excellent interrogator of Iraqi POWs. But I successfully dodged her attempts to blood me and headed out for the vet.
In Destin.
Traffic, to put it delicately, sucked. A rainy Wednesday afternoon and it was wall-to-wall SUVs and vans from places like Tennessee, George and Hell. The wailing of damned souls from the back seat seemed the perfect musical accompaniment to road conditions.
As we crept into Destin I heard the sound of a kitty stomach being emptied inside the pet carrier. To quote an old Richard Pryor album, “The funk rolled out – it knocked me to my $@%& knees!” Now I was wailing.
A mere 43 minutes later we arrived at the vet’s office, where I spent the next 15 minutes trying to conceal the evidence of Palov’s indiscretion. “Oh, don’t worry about it,” said the vet, who explained she’d been covered with every disgusting substance an animal can emit. She went on to relate a truly gross story about her assistant getting hit in the eye by something so utterly revolting that even I can’t repeat it.
Four inoculations, two collar tags and a credit card swipe later, we were creeping back to Fort Walton Beach. The out-of-town drivers were in full Bonehead Mode. Something about a vacation lobotomizes the courtesy lobe of one’s brain, I guess.
When I got the cats home they crashed, I cleaned out their carriers – Windex was OK but what I needed was a flame-thrower – and then I, like the ungrateful beasts, crashed.
But at least now they won’t give me rabies. Existential angst, maybe. But not rabies.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, Ello and Instagram. Visit his website at delstonejr.com .