A quick visit took me back to 1979
The doorbell rang.
He was still young, in his mid-20s now, and taller and heavier than I. She was about the same age, maybe a year or two younger, with wavy blond hair and a million-dollar smile.
I hadn’t seen him in a year. Or was it two? I couldn’t remember. I’d never met her, but I’d read about her in his letters.
They came inside. I offered a prayer to whatever impulse had gotten me out of bed at 8 that morning to clean the house – the laundry was done, the garbage emptied, the dishes washed, the windows cleaned … and that horror of a barbecue grill I hadn’t taken out of the box in four years – the box that was peeling like old paint – was put together and sitting on the patio as if it had always been like that.
Since this was their first visit to my townhouse, I gave them the cook’s tour. There’s the patio – yes, it looks out on the pool. Yes, I have a pair of binoculars. He liked my telephone. He recognized his sister’s writing desk in my office; I’d paid her $150 for it.
We went through my bedroom, and he spotted the tennis racket-clock he and the other kids on my tennis team had given me. What year was that? 1979? Eleven years ago, he observed with an amazed sigh. Where has the time gone? We’re all getting older.
We trooped downstairs and sat around the dining room table. He was drinking beer. He made a comment about her drinking beer and I poured her one, unaware that he was joking. It’s just as well; there was a dead bug in her mug. I drank a Diet Coke.
They’d driven from Illinois, gotten into town last Friday, gone to a wedding Saturday, and apparently shopped for an engagement ring Sunday, Monday or Tuesday. He said they were getting married, but he hadn’t gotten around to asking her yet. She poked him in the arm and smiled. He said he wanted new rims for his BMW but couldn’t afford them now because of her; she punched him in the arm and smiled sweetly. One more errant comment, I thought, and she’ll go for the throat.
He’s a second lieutenant in the Air Force. She manages a clothing store and does some modeling. They were concerned about debts, whether to buy a house or a condo, and if he’d get his master’s and go to work in the private sector.
I told him all this responsibility would be good for him. I told her she’d have to straighten him out. I wasn’t the first to warn her about that, she said apprehensively, and he was astonished anybody would think that he, as an Air Force officer, couldn’t handle responsibility.
He has lots of responsibility, but I couldn’t forget when he was a kid, and I taught him to drive a stick shift, or took him to the county fair, or helped him with that book report on Vonnegut’s “Cat’s Cradle.” I remember his youth, when all he could do was look forward to getting married.
They couldn’t stay. They had a last-minute date with the beach, and then they were heading back to Illinois. I liked her sunglasses.
Eleven years. Had it really been 11 years?
This column was originally published in the Nov. 16, 1990 edition of the Northwest Florida Daily News and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Image courtesy of pxfuel.
Lately, torch-wielding mobs have been gathering at my front door, demanding to know what I want for Christmas this year.
These mobs are in luck, because after thinking about last year’s very sad Christmas, when I received mere thousands of dollars’ worth of costly and thoughtful gifts, I’ve decided to take the initiative and TELL potential gift-givers what I hope will turn up in my stocking Christmas morning.
Basically, I want a painting.
Not just ANY painting. I want a painting that will transcend the boundaries of convention, a painting that will be to the art world what Tammy Faye Bakker was to Revlon stockholders. I want The Great Emerald Coast Seascape, the kind you see at every local festival and crafts show.
The painting should be a beach scene. We live by the sea, so it’s only natural that I’d want to bring home a little piece of the beach with me and hang it on my wall, rather than tracking in little pieces of the beach all over the carpet, or finding little denizens of the beach writhing inside my swimsuit as I’m cruising at 60 mph down the highway.
But not just ANY beach scene. There should be sand dunes, of course. Huge, Mount Vesuvius-style sand dunes with flags from various nations protruding from the tops where mountain climbers from around the world have scaled these sand dunes and left their marks for the history books.
The sky should be covered with dark, roiling, angry clouds, in a weather pattern reminiscent of Moses parting the Red Sea.
This next part is VERY IMPORTANT. Partly buried in the lee of a sand dune should be a chest of gold doubloons and pearls. The artist could mount little blinking lights to make it seem as if the treasure is glittering.
This treasure is very important because in the background I want to see an intoxicated pirate staggering through the surf, his schooner aground on rocks, and I want a one-legged parrot – well, a peg-legged parrot – perched crookedly on the pirate’s shoulder, with little word balloons featuring parrot curses. This parrot should have its own miniature bottle of rum, and I want the parrot’s eyes to consist of blinking red Christmas tree lights, as if the parrot were suffering from the DTs.
Along the surf line I want the following items: a crab with blinking red lights for eyes, mounted on stalks that wiggle back and forth like antennae when you flick them; a real starfish glued to the canvas; Elvis in crushed velvet; a building permit and survey lines mounted on wooden stakes; the rotted stumps of a demolished pier; one of those knitted ducks that, when squeezed, poops jelly beans; and, lastly, a beach ball featuring the logos of every SEC football team.
This painting should be encased in lucite and mounted on a varnished cypress stump, with a clock and a CB radio in the base, and when you plug in the painting a computer chip should play “The Wreck of the Edmund Fitzgerald.”
You should be able to find one of these paintings at any local festival or art show. Prices are not reasonable, but it’s the thought that counts.
This column was previously published in the Nov. 15, 1990 Northwest Florida Daily News and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, Ello and Instagram. Visit his website at delstonejr.com .
In this photo the author (left) greets a visitor to the Northwest Florida Daily News' booth at a local festival. As you can see, the author is overjoyed by the warm - make that cold - greeting the visitor had to offer, which probably resulted in even more gray hairs appearing in his head. Photo courtesy of the Northwest Florida Daily News
This morning I thought we would take an intimate look at eye crud, but a vastly more important issue has since arisen: Apparently I’ve reached that point in life when, in order to continue looking young, I must give Mother Nature a gentle, helping hand, in the form of bleach and plastic surgery. Either that or buy an expensive sports car.
The sports car is out, as might be the chemicals, depending on how much I’ve got in my wallet and whether anybody in town has beer on sale. But the short of it is: I’m thinking of dying my hair.
Right now you are laughing and saying to yourself, “If this guy is serious about looking better, he should consider demonic possession.” Well, you just go ahead and laugh. When I’m hired to be Rob Lowe’s stuntman in all those steamy movie sex scenes, we’ll see who’s stampeding down to the drugstore to snarf up the Lady Clairol.
The decision to dye my hair was prompted by a serious error in judgment: I looked at my hair in the mirror. What I saw were these moss-like streaks of gray – on the left half of my head. The right side was almost moss-free. It was as if I’d decided to become a punk rocker, then halfway through the process changed my mind.
(Now I want a new) color, which won’t be the first time I’ve humiliated myself in this manner. The first occurred several years ago, when I thought it would be neat to use sun lightener to bring out the true bleached blond in me. Unfortunately, instead of becoming a sun-drenched blond color, my hair turned ORANGE, and to put it politely, my new look became a sure conversation-stopper.
I’m not contemplating anything so radical this time. Just a simple elimination of the gray, maybe a lighter shade of brown, possibly blue eyes and a pouty mouth and muscles like that guy on the Soloflex commercials. OK, OK, so we’ve strayed into the realm of fantasy here.
I’m making a federal case out of this because I don’t want to walk into the newsroom and have everybody stare at me as if I’d just stepped off a UFO and was demanding to meet Elvis.
When it comes to dying hair, society has a double standard. It’s OK for a woman to be blond one day and a redhead the next, but if a man does that, people automatically assume (a) he’s suffering from a glandular disorder, (b) he’s taking part in the federal witness protection program or (c) he’s going through male menopause.
Women might say they’re the victims of a double standard too, because society disdains gray-haired women while gray-haired men are said to look “distinguished.” That may be true, but if I look “distinguished” at age 33, at 43 I’ll look “withered,” and at 53 I’ll look “dead.”
But this won’t be a “do-it-yourself” project. I learned from caulking the bathtub that “do-it-yourself” is a synonym for “lower-your-standard-of-living,” and I refuse to look like I was attacked by bleach-wielding terrorists. So I’ll call in the Hair Color Rapid Deployment Force for a surgical strike on those gray interlopers.
And I’ll tell Rob Lowe you said hello.
This column was published in the Northwest Florida Daily News in 1989 and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Image courtesy of MGM/UA.
“Pumpkinhead” Starring Lance Henriksen, Jeff East, John D’Aquino and Florence Shauffler. Directed by Stan Winston. 86 minutes. Rated R. Amazon Prime.
Del’s take
They had me at the cicadas.
If I remember the South for anything it will be sluggish July afternoons, when the chore of taking a breath is like sucking a wad of steamed broccoli into your lungs, as cicadas hidden within the needles of longleaf pines screech and screech and screech screech screech. According to folklore the infernal bugs “hibernate” underground for 17 years until one night they awaken to scale a nearby slash pine – yes, it’s always at night – squeeze from their shell, pump up their wings and fly away to enjoy a brief yet incandescent third act of noisy fornication.
That rhythmic screeching, like chalk chalk chalk on a blackboard, is stamped onto my brain. So, when I heard it used as an audio effect in “Pumpkinhead” I knew the story was taking place somewhere below the Mason-Dixon, where the ever-increasing heat has baked the brains out of everybody who lives there, transforming them into Trump supporters.
The horror.
I didn’t let that stop me from enjoying “Pumpkinhead’s” other charms. The movie, which was released way back in 1989, has become a cult favorite despite early panned reviews. The directorial debut of special effects wizard Stan Winston, “Pumpkinhead” inspired a straight-to-video sequel, two made-for-TV sequels, a comic book from Dark Horse and even a video game.
Plus, it stars one of my favorite underrated actors, Lance Henriksen, who appeared in several James Cameron movies along with Bill Paxton and Jeanette Goldstein. He brings just the right touch of doom to his role as grieving father Ed, who sets off the horrific chain of events in “Pumpkinhead.”
The story goes like this: As a young boy, Ed witnessed a man being killed by a monster and knows that with the help of the right people, he can summon a demon to avenge the death of his young son Billy, who was accidentally run over by a dirt bike rider who had come to the back woods with his friends to party.
With the guidance of Haggis (Florence Shauffler), a crone who lives in the deep woods, Ed summons the Pumpkinhead demon and sets it loose on the teens, choosing to disregard her warning that Pumpkinhead is as dangerous to those who evoke its presence as those intended to receive its wrath.
The result is well-choreographed and photographed slaughter that follows a predictable path with only a slight deviation there at the end. Lessons will be taught and for some, learned, while for others there may be no moral to this story.
“Pumpkinhead” is one of those fun B movies that works if you can get past the threadbare writing and horror movie clichés. It calls forth an eerily gothic atmosphere you have never seen from Henry James or even V.C. Andrews. Henriksen delivers his patented emotionally wounded performance – you can’t help but sympathize with the guy, even if events leading up to his actions follow a corny, well trodden horror movie trail.
The real star here is the Pumpkinhead demon, which I thought worked very, very well. It’s a movie monster you haven’t seen before and in ways reminded me of the atavistic horror of “Alien.” It produces a similar quality of dread, even if the cornpone story doesn’t.
“Pumpkinhead” has lots of gross and gore, which should forestall whiny lectures from Mladen about R ratings and blood spatter. It’s a necessity for any serious horror movie collector or fan. Watch it in 2021 about mid-October, after the real horror of 2020 has mostly faded from memory.
I give it a B.
Mladen’s take
Del and I have been friends for a long time. And, still, he’s simply unable to judge the depth and breadth of my intolerance for inadequate moviedom mayhem, violence, and cussing.
“Pumpkinhead” is a good movie. I throw it an A- for the superb creature effects, which offset the movie’s quasi-“Deliverance” vibe. However, there are no dismemberments or intestines spilling from sliced abdomens. Shoot, plenty of blood is spilled, but no depictions of arterial pulse squirting. Sure as hell there is very little swearing, if any, that I recall and there is definitely no damned nudity. So, forgive me Del, but I’m whining, anyway, though, really, it’s closer to satisfied grumbling because the “Pumpkinhead” plot is solid.
In fact, I had little trouble overlooking the plot’s trigger, a grieving father mischaracterizing the city slickers’ accidental mistreatment of his geeky son. What unfolds is horror movie commentary on the ruin that engulfs those seeking revenge. For, you see, Ed the father becomes entwined with the monster he unleashes. When Pumpkinhead kills, Ed feels it.
—
Quick, what excellent recent movie uses the same type of symbiotic relationship between man and beast as an integral part of the story? Answer: “Sputnik.”
—
It’s Pumpkinhead who has me enamored by this late 1980s film. This is a lovingly, carefully, patiently, and nicely crafted terror animal. The only non-practical, i.e. without makeup, and non-mechanical visual effect in the movie is blurred and swaying filmography showing Ed sensing that Pumpkinhead is about to strike.
Pumpkinhead, by the way, is a tall guy in a costume. The creature is a decaying pink and skeletal. It has no hair, a tail, claws for hands, pseudo-hooves for feet, and long bony protrusions from the shoulders. Its legs at the knees bend like a heron’s, forward, if I recall accurately. Its teeth are long, crooked, and cracked and eyes white, opaque, and all-seeing. Pumpkinhead is a conjured beast, maybe risen from the fires of hell, making a living in the material world. Pay attention to the shrunken monster’s face when it’s re-buried.
Pumpkinhead’s interaction with reality as we understand it is very nicely executed in its namesake film.
There’s our nightmare walking past a window as though taking a leisurely stroll while the kid killers inside the cottage talk about what to do. When Pumpkinhead prowls through the house, it ducks beneath doorways. It swivels and tilts its head to listen. And, Pumpkinhead has no trouble looking straight at you while contemplating, I imagine, what to do next. It kills your ass and then hangs around for a moment to watch the reaction of your friends. There are no rampages. Just a methodical hunt to pick off the offending, big-hair youths. Wait till you see how the monster decides to handle a rifle. Pumpkinhead is scary as hell because it’s very human.
To me, Pumpkinhead has a subtler charisma than the Xenomorph in “Alien,” more natural finesse than the Predator in “Predator,” and a finer malevolence than Freddy in “A Nightmare on Elm Street.”
It’s my hope that no dumbass 21st century producer decides to re-make “Pumpkinhead.” This is a story and a monster that stand on their own. The beast borne of revenge shouldn’t be risked by a crappy re-do.
Mladen Rudman is a former journalist and technical editor. Del Stone Jr. is a former journalist and author.
I recently had an opportunity to take a midwinter vacation, and because I didn’t want to spend a lot of money traveling somewhere, I decided to spend this week right here in Florida, the tourist capital of the United States,
So … what does one do when vacationing in Florida? He goes to the beach, naturally, and that’s what I did. But early February isn’t exactly a boom season for beach-lounging.
I picked up garbage.
At this point you must be thinking, “He’s finally done something to earn one of those jackets with no sleeves and permanent residency in a padded cell.” Picking up garbage might not constitute a vacation you write home about, but if nothing else, it was an education for me.
A few years ago I took another midwinter vacation, and I spent that week exploring nearby places I had never seen. One stretch of beach particularly impressed me with its unspoiled beauty. It must have looked that way for hundreds of years. Except for the garbage.
The garbage had been left there by boaters and explorers like myself who were less appreciative of the natural wonder about them. It made me angry, and this time I decided to do something about it.
I spent only four days picking up garbage. It rained three days and I took off a day because I hurt my back with all that bending over and lifting. But in those four days I hauled 30 bags of garbage from a stretch of land I’d estimate to be 200 yards in length.
In a way it was fun, because you wouldn’t believe some of the junk I found. Empty flare cartridges. Light bulbs – who takes light bulbs to the beach? Disposable diapers (yech!). Shot cups from shotgun shells. Broken toys. Shoes. Socks. Photos that apparently had fallen from somebody’s wallet. Somebody’s boat registration (It was sealed in a plastic bag, and the owner’s address was printed on the front, So I returned it to him. Water had gotten inside the bag, but I think he could dry it in the oven).
But 90 percent of the garbage consisted of bottles and plastic, and I am now convinced this state needs a bottle deposit law. You simply would not believe the number of bottles I found. Some had been broken in horrifying ways. It was commonplace to find huge, jagged pieces of glass protruding from the sand. If someone had stepped on the glass, he would have needed a trip to the hospital.
And the plastic! Bags and pieces of rope and plastic containers were scattered everywhere. They were ensnarled in tree roots; they littered the dunes and thatches of beach scrub.
Seeing this kind of thing can give you an unhealthy disrespect for your fellow man.
You read stories and you watch television programs about the environment and how mankind’s disregard for the world around him is laying nature to waste. You never see those stories about this area, though. Everything is supposed to be generally OK in these parts.
Well, if this is OK, I’d hate to see the really bad places. Because nothing must live there, not even people.
This column was originally published in the March 3, 1988 edition of the Northwest Florida Daily News and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Image courtesy of Quinn Dombrowski by way of a Creative Commons license. https://www.flickr.com/photos/quinnanya/
As a homeowner, I have had my eyes opened to a range of marvelous new experiences, many of them requiring the absence of money. One such experience is a clogged drain.
In the halcyon days of my youth, a clogged drain meant waiting until 2:30 when Dad would come home from work to fix it. Now, a clogged drain means that I, as an adult male and, by default, the head of the household, am expected to flail at the accursed thing for at least an hour before calling Dad, who must come home from work and then drive across town to my house to fix it.
I was taking a shower recently when I noticed that my kneecaps were submerged. My keen powers of perception told me that water was not draining from the bathtub, and with my equally acute powers of deductive reasoning, I swiftly determined that something – probably a big wad of mutant hairballs – had plugged the drain.
Minutes later I entered the bathroom dressed for battle: a plumber’s snake dangled from my fist like a bullwhip. The furrows in my forehead, plowed there by grim determination, were dotted with beads of sweat, or perhaps bath water, because I had forgotten to towel off.
You are probably asking yourself: What is a plumber’s snake? Is it one of those things you read about that swims up into toilets and gives elderly ladies heart attacks?
No. Basically, a plumber’s snake is a long metal device that you use to damage shower tiles and small children if they happen to be in the same voting precinct when you are cranking it.
I began ramming the snake down the drain. I immediately encountered an obstruction, because the snake kept wanting to spring back out of the drain as if it were some mad jack-in-the-box. The obstruction turned out to be a bend in the pipe.
More of the snake began to slip into the drain. I could hear it clearly … so clearly that my powerful intellect was able to guide me to the conclusion that it had gone UP the pipe instead of DOWN, and would have inserted itself into my ear had it not been for a metal plate covering the opening beneath the faucet.
I reasoned that if I could remove that metal plate, I could force the snake DOWN, and it could go nowhere but into the drain pipe, unless it bored through the pipe and into Earth’s crust.
So I set about unscrewing the screw that held the plate in place. I did not know the screw hadn’t been moved since man developed metallurgy, and no sooner than I could say, “What hath God wrought,” the screw broke, the plate fell off and I was staring at a slime-encrusted hole that resembled a biblical description of hell.
Ever the opportunist, I inserted the plumber’s snake into the hole and began merrily plunging away, and half an hour later I had slime all over the bathroom, the drain was plugged worse than ever and it was almost time to go to work.
That’s when I called Dad.
I’m happy to report the drain is now clear and the lid to hell has been capped and you can all return to your homes. Except the kitchen faucet is dripping.
This column was originally published in a February 1988 edition of the Northwest Florida Daily News and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, Ello and Instagram. Visit his website at delstonejr.com .
Who knew I had such deep thoughts?
Filmmakers would have you believe every hour of every day is fraught with adventure. The typical cinematic day begins with an illicit love affair followed by a mysterious telephone call, a car chase and a narrowly thwarted assassination attempt.
But life rarely imitates art. This occurred to me recently as I was standing in an office supply store. The clerk had just told me IBM manufactures a ribbon cassette that is compatible with my Royal typewriter. That made me happy – inordinately happy. And I didn’t know why.
After all, small success stories such as these are not the stuff of which entertainment is made. Had I not been taught by 25 years of watching television and movies that a person could not be truly happy unless he were realizing his most extravagant dreams?
It had been a good day, so far, and as I went over the events that had made it that kind of day, I began to remember something many of us often forget under the barrage of video and celluloid fantasies.
That morning, I finally discovered a place where our writers’ group could meet. I belong to the Redneck Riviera Writers Group. We get together twice a month and compare notes on the business of writing. We had been meeting at people’s homes, or local eateries, but it soon became obvious that if we were to expand beyond our current membership of five people, we would have to find a permanent meeting place. After a fruitless search, we found a new home at the YMCA, courtesy of Joe Lukaszewski. That made me feel good.
Something else nice happened that morning. I found a book of Ramsey Campbell short stories I hadn’t known existed. I’m a student of the short story and Campbell is a bona fide master. The book should be fascinating.
I also picked up what I think will be the perfect gift for a friend. It, too, is a book of short stories, but these are special. I had never seen the book outside of the one copy I’d been hoarding for myself. Now she can enjoy it too.
Pop artist Andy Warhol died recently. In one of his obituaries I came across a reference to a movie of his titled “Sleep.” The movie depicted a person sleeping. That’s it. Two hours of a person sleeping. The entertainment virtues of the film are less than dubious and the artistic virtues debatable, but I think I understand what Warhol might have been saying.
The small, mundane successes and failures – things that would end up on the cutting room floor – are the body and texture of life. They are what make life an endlessly fascinating experience. Spilling coffee on the living room carpet. Finding a letter from a friend in your mailbox. The thousand things that you forget a day after they’ve happened. They are what get us through accomplishments to crises.
So it was a pretty good day. Not great, but not horrible. Just something to be thankful for.
This column was published in the Sunday, January 10, 1988 edition of the Northwest Florida Daily News and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Lt. Col. Oliver North testifying before Congress in the summer of 1987. Photo courtesy of The Associated Press
“There they go,” the man said, glancing at the image of Lt. Col. Oliver North on the television. “Crucifying Ollie.”
It was only the first day of North’s testimony before the congressional committees investigating the Iran-Contra affair, but the hearts and minds of people all across America, apparently, had already been won by this David as he defiantly challenged the bureaucratic Goliath.
By the time North concluded his testimony, he had become a hero. Even committee members seemed consternated by the public’s infatuation with the man, leavening their tepid criticism of his actions with praise and apologies.
This groundswell of support for North was the product of many factors: North wore a military uniform – Americans cannot resist a uniform; North eloquently expressed his patriotism; North distanced himself from the Washington paper pushers, whom most Americans regard with disdain.
But the roots to North’s popularity go much deeper than that. If the letters, telegrams and bumper stickers may be considered a barometer of American sentiment, it would seem approval for what North did was not so much a motivating element as disapproval for what Congress had been doing.
In letters to this newspaper, in radio polls and roadside signs, the public has vilified Congress for meddling in the president’s foreign policy initiatives, for vacillating on the issue of confronting communism, for grandstanding before cameras for votes. North happened to be in the right place at the right time; anybody could have thumbed his nose at the investigating committees and America would have cheered.
Which leads to a fundamental shortcoming in the public’s perception of this affair. Regardless of which side of the fence you stand concerning North’s guilt or innocence, the fact is we, the voters, are responsible for what has happened.
Why?
Because many of us do not take time before an election to acquaint ourselves with the candidates. Because we tend to choose the candidate with the most effective advertising campaign. Because we vote straight-party tickets instead of considering each candidate on his unique merits. Because we don’t even bother to vote.
It seems hypocritical of Americans to take Congress or the administration to task, when Americans elect Congress and the president. Did nobody hear President Reagan say he would solicit aid for the Nicaraguan Contras? Has nobody heard their congressmen take a stand on this issue?
If you believe Lt. Col. North is guilty of crimes, and you have neglected your responsibilities as a voter, then you have no one to blame but yourself.
Likewise, if you believe that Congress’s sloppy stewardship is at fault, and you have neglected your responsibilities as a voter, then you have no one to blame but yourself.
This column was originally published by the Playground Daily News in the 1980s and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
This is the Sunday, Feb. 7, 1988 edition of the Northwest Florida Daily News featuring the new name and new look. Image by Del Stone Jr.
Our newspaper, the Daily News, has embarked on an ambitious redesign project which I am overseeing, and this has given me the opportunity to investigate many important design questions, foremost among them the question of how much am I going to be paid extra for doing this.
The staff and I have become like brothers and sisters during this project, and though my sisters and I fought to near-death until we were older and wiser and could hire trained killers to manage our inter-family relationships, I have nothing but optimism for the redesign’s eventual success, though I may be witnessing that happy event from the great newsroom in the sky.
If I were to offer a single piece of advice to an editor contemplating a redesign, it would be to lie down and take several pills until the feeling passes or you die. But newspapers must change if they are to survive, which what the last Neanderthal man said as the tool-making Cro-Magnon man sedated him with a large clubbing tool. So to avoid the tar pits I have blundered into, you should consider the following:
WHAT GOES THERE? The most difficult aspect of a redesign involves choosing an identity for your newspaper. Presumably, your newspaper’s identity should be derived from your community’s identity, unless your community consists of a penal colony, an industry that has been rendered obsolete by talking Japanese toy robots and a rehabilitation clinic for serial ax murderers. In that case you should put a large brown bag over your community and kidnap subscribers from other communities.
If felony is not an option and your community has no identifiable identity, it would be best if you published your newspaper under what is known as an Assumed Identity, which will then impart an Assumed Identity to your community so that nobody will know who anybody else really is, and your community will probably be crossed off the map, as if it were participating in a federal witness protection program.
WHAT’S IT GOING TO LOOK LIKE? Will your newspaper be gray and drab and remind the reader that he really should get going and have that will made out? Or will ti feature high-candlepower, dazzling color photographs, eye-popping graphics and multi-chromatic bar treatments, so that when the reader opens the page he is charred by third-degree powder burns?
Decisions, decisions. You can save yourself some trouble if you take this precaution: If the redesign looks bad, stick to your guns, at least for the first 10 minutes, then blame it on someone else such as the Advertising Department or the community. You can even blame it on the federal witness protection program. At any rate, it certainly wasn’t YOUR fault.
PRODUCING MOCKUPS: A number of pitfalls await the designer at this stage of the project.
1. You will be tempted to use may different typefaces so that your pages resemble ransom notes. Do not do this. Stick to only several hundred typefaces, and carefully regulate their usage, as in, “Helvetica may only be used when the Pope canonizes another street dweller” or, “Perpetua is reserved for stories about hang glider pilots who find religion in the clouds, not to mention birds of prey.”
2. You will be tempted to box as many stories and photographs as you can, which will look as if a spider’s web has been sucked into the press. It’s much easier if you use fewer rules but compensate by increasing the thickness of the rule. For example: DON’T use 400 one-point rules on a page. Instead, use a single 400-point rule.
3. Many, many years ago, as far back as the early ’80s even, it was decided that tint blocks could break up a gray page with the really novel approach of putting even more gray on the page. Now that pages resemble aerial photographs of Nebraska farmland, you may be tempted to refine the process by screening only selected passages of stories, as if your page had passed through the hands of Israeli censors.
I suggest you screen the entire page.
GETTING READY FOR THE REDESIGN: Eventually, you will actually have to do something to bring the redesign closer to reality, such as talking about having a negative of something made. This will require expertise in negotiating with the cameraroom, which means you should spend few hours each week at a pistol range before you actually go into the cameraroom to negotiate.
This is how the conversation might go if you are unprepared:
You: Excuse me, sir, but could you please make a negative of this? I know it’s an imposition and I promise to make it up to you somehow, though I can’t say when because little Billy needs an operation to remove my wife’s pacemaker from his stomach, which he accidentally swallowed when he was giving mouth-to-mouth resuscitation to his older sister after she tried to hock the pacemaker to a neighborhood crack dealer and the FBI raided the place and she put it in her mouth to hide the evidence and then fainted because she’s hypoglycemic, and the only reason little Billy was there to save her was because she was supposed to be babysitting him since my wife is in the hospital having her intestines scraped.
Camerarooom dweller: Die and go to hell.
You: Yes sir, and thank you sir. You’ve been more than generous with your time.
But with adequate preparation, you can have the cameraroom eating out of your hands.
You: Hands up against the wall. Spread ’em! Make a negative of this and don’t give me any backtalk or I’ll blow your brains out all over the mounting plate with this .357 Magnum.
Cameraroom dweller: YES SIR! You’re a rough and tough newspaper designer, and I’m going to do exactly what you say right now! And how else may I serve you, Master?
CHANGE, CHANGE AND MORE CHANGE: At some point during the redesign process, probably between the “Developing of High Concepts” stage and the “Just Chewing the Fat about It” stage, keener minds will begin to suspect that a redesign might alter the newspaper’s appearance.
This must be avoided at all costs. Nobody must know anything – not even you. Otherwise, you will seriously reduce the level of confusion when the redesign debuts.
WHEN THE REDESIGN DEBUTS: You will know if the redesign is a success if you walk into the newsroom and are greeted with thunderous applause and the publisher hands you a check for $20 skillion dollars, in which case you should thank your producer, your director and all the little people who helped you.
But just to be on the safe side, have a Lear jet standing by with the engines running.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Let me bore you with the story of our trip to the Bahamas. I’ll tell it in sequence, since that’s the way it is in the police reports.
Day 1: Long road trip to Tampa. I won the “Who Can Spot the First Wild Palm Tree” contest. I saw a whole row of them growing next to a house.
Tampa International Airport. The metal detector went haywire when it spotted the case of beer in our luggage.
I anesthetized myself at the airport, so the flight to Miami was OK, as was the flight to the Bahamas.
The baggage-carrier mangled my luggage. I had to chase it around in circles, yanking on it like one of those dumb games your dog plays with the clothes on the line at night. I think I was even growling.
The rental car was a disaster. I sat in the parking lot for 10 minutes racing the engine without the car ever moving. I discovered the clutch had to be let out all the way before the gears would engage. The muffler was about to fall off. The steering wheel had palsy. So did the brakes.
Day 2: I was lying by the pool, reading a book, when a Bahamian man scaled a palm tree above me. Suddenly, coconuts were thudding to the ground like artillery rounds, bouncing all around me, giving me reason to fear for my life. Dave hacked at a coconut with a knife for 30 minutes before uncovering a puny rind of meat and a squirt of juice that tasted like goat spit.
Sand and Dave took the car for a spin. The car broke down 10 miles from home. They ad to push-start it back to the rental agency. They got a new car with a muffler that was falling off, a goofy clutch – all the standard rental-car features.
Day 3: We stocked up on supplies – Captain Crunch, chocolate chip cookies, chips and dip, orange juice, etc. A case of beer cost $24.
We also stopped by a road sign that said “LITTERING IS UGLY AND STUPID” for a photo of us throwing litter on the ground.
We paid Flossy for the bread, but you’ve already heard the gory details.
Goombay Festival by the pool. The Amazing somebody did tricks with flaming sticks; we waited for her to ignite herself.
Day 4: Snorkeling on the reefs. We rode out on a big boat that swayed back and forth, back and forth, until the previous night’s gluttony threatened to make reappearance. The reefs were very beautiful; the see-through bathing suits were very beautiful.
We had a picnic on the beach. I stood on my head underwater and got salt water permanently deposited in my sinuses.
I also managed to flatter the cook and got a gigantic piece of barbecued chicken as my reward.
We went swimming afterward (No, Mom, I didn’t wait an hour after eating!). Some snorkelers nearby told us a 700-pound stingray was swimming directly below us. I decided it was time to towel off.
Next week: Losing money the Bahamian way.
This column was originally published in the Playground Daily News in 1987 and is reprinted with permission.