Life’s moments are worthy, just not worthy of an action movie
Filmmakers would have you believe every hour of every day is fraught with adventure.
The typical cinematic day begins with an illicit love affair followed by a mysterious telephone call, a car chase and a narrowly averted assassination attempt.
But life rarely imitates art.
This occurred to me recently as I was standing in an office supply store. The clerk had just told me IBM manufactures a ribbon cassette that is compatible with my Royal typewriter.
That made me happy – inordinately happy. And I didn’t know why.
After all, small success stores such as these are not the stuff of which entertainment is made. Had I not been taught by 25 years of watching television and movies that a person could not be truly happy unless he were realizing his most extravagant dreams?
It had been a good day, so far, and as I went over the events that had made it that kind of day, I began to remember something many of us often forget under the barrage of video and celluloid fantasies.
That morning, I finally discovered a place where our writers’ group could meet. I belong to the Redneck Riviera Writers Group. We get together twice a month and compare notes on the business of writing. We had been meeting at people’s homes, or local eateries, but it soon became obvious that if we were to expand beyond our current membership of five people, we would have to find a permanent meeting place.
After a fruitless search, we found a new home at the YMCA, courtesy of Joe Lukaszewski. That made me feel good.
Something else nice happened that morning. I found a book of Ramsey Campbell short stories I hadn’t known existed. I’m a student of the short story and Campbell is a bona fide master. The book should be fascinating.
I also picked up what I think will be the perfect gift for a friend. It, too, is a book of short stories, but these are special. I had never seen the book outside of the one copy I’d been hoarding for myself. Now she can enjoy it too.
Pop artist Andy Warhol died recently. In one of his obituaries I came across a reference to a movie of his titled “Sleep.” The movie depicted a person sleeping. That’s it. Two hours of a person sleeping. The entertainment virtues of the film are less than debatable, but I think I understand what Warhol might have been saying.
The small, mundane successes and failures – things that would end up on the cutting room floor – are the body and texture of life. They are what make life an endlessly fascinating experience. Spilling coffee on the living room carpet. Finding a letter from a friend in your mailbox. The thousand things that you forget a day after they’ve happened. They are what get us through accomplishments to crises.
So it was a pretty good day.
This column was previously published in the Playground Daily News in the 1980s and is reprinted here with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
As Rosanne Rosannadanna said many times, I thought I was gonna die.
The alarm clock ticked off the remaining moments of my peace and then it buzzed; my second thought – the first being that I had passed away in my sleep – was that I had awakened into some unhealthy person’s body.
I hurt everywhere. My back hurt. My throat, my ears, my chest – they all hurt. This wasn’t the body I had fallen asleep in. This was a boy on the verge of going belly up.
I had a cold.
A cold leaves me just sick enough to make life miserable, but no so sick that I feel I have to stay in bed. It seems a shame to lounge around in bed when I could be getting work done, but when I actually do those things I begin to wish I’d lounged around in bed.
I don’t know why I hadn’t foreseen this cold. Everybody in the office was sick, and relatives who were visiting were similarly smitten. When you are surrounded by people who are breeding germs faster than you can kill them, your chances of surviving unaffected are slim.
This cold was shaping up into a real barn-burner. My throat felt like Patton and his boys had chased Rommel through it. My head was stopped up and I could bells ringing – symptoms of a fever. And though the temperature outside was a balmy 73 degrees, I was freezing.
The thought of sweating it out at the office – and I use the term “sweating it out” purely in the abstract – was about as palatable as having a tooth pulled, so I phoned in sick. The building at work is usually 40 below zero, what with out overzealous air-conditioning system. I always go to work unless I’m not ambulatory, but since I felt SO bad, and since I’m OVER 30, I decided age has hits perks and this was one of them.
I lay in bed the entire day. The minutes were like hours. I would doze, look at my watch, doze a while longer, look at my watch, see that only 10 minutes had passed, doze again, knock off another five minutes. I did manage to stay awake long enough to watch “Jeopardy.”
The radio made no sense that day. I remember hearing an endless series of weather forecasts. You’d be amazed how many times radio stations give the weather forecast. I found myself comparing the weather forecast to my internal weather forecast: “Cloudy with a chance of showers today; severe thunderstorms tonight, with locally heavy rainfall possible.” Yep. That was about right.
Being sick all day means that you are awake all night and sicker still. I remember looking at the alarm clock and thinking it said 1 a.m. Then the living room clock began to toll and I counted 12 gongs.
As I write this, I am sick. I don’t feel like going back through and cleaning it up. It is freezing in here. I’m counting the minutes until 6 p.m. so I can get to the break room and eat one of those moon pie things and take more drugs.
I think I’m gonna die.
This column was originally published in the Playground Daily News in 1986 and is reprinted with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Alas, I will be leaving for Los Angeles soon, though you’ll be sorry to hear I should be back in a week. At least that’s the plan. Since my flight was booked by the Cerritos Travel Agency, I may be dropping unexpectedly on some California suburb and staying there for all eternity.
I am of two minds about his trip. I’ve always wanted to visit Los Angeles because the film industry would have you believe you can’t belch there without background music and klieg lights. But to get there one must fly on a heavier-than-air object that is traveling at 500 mph at an altitude God never meant for men to violate.
This is not an hour-long petting-zoo ride to Atlanta or Orlando. Five hours, buddy. Count ’em. Five hours of terror. Five hours of sweaty palms and heart spasms every time the plane changes altitude by more than a few inches. I’ll be sitting next to one of the androgynous pin-striped creatures who won’t even hold my hand, and when we land at LAX they’ll take me to the Farmers Market and sell me at 49 cents a pound.
The airport is, of course, across town from Santa Ana, my intended destination, so after these five hours of terror I can drive right into two more on the Los Angeles freeways. My sister says they’re no worse than the freeways in Detroit, and I seem to remember careening along the Freeway of Love (as those sick individuals call it), trucks roaring past at a shade under the sound barrier and, to paraphrase Robert Frost, thinking that I had miles of concrete to go before I could pass out.
Ah, but once I am there …Hollywood? Sunset Boulevard? Beverly Hills? Universal Studios?
Naah. Work.
Ostensibly, that’s why I’m going there, and the newspaper is giving me only enough money to ensure that I don’t spend all my time at Malibu or trying out for game shows.
But yes, I intended to see the giant sign that is always in the process of falling down over Hollywood, and I expect to see the sidewalk where the movie stars have gotten their feet muddy in concrete. I want to see the piers that extend into the ocean and don’t collapse during storms, the movie and television studios that I vilify regularly in this column. I also hope to visit one of those malls that has its own city council.
I’ll be looking for Randy Newman cruising the freeways singing, “I Love L.A.” or the Beach Boys talking about those “California Girls.” I’ll be waiting to see those who are “California Dreamin’” or whether “It Never Rains in California.”
And then – Oh, boy! – another five hours of terror as we head back east. We go to Memphis and then to the Okaloosa County Air Terminal, so I get the added bonus of taking off and landing twice in one day.
At least on the return leg, I should be able to drink my lunch.
This column was published in the Playground Daily News in 1986 and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .