Coral snakes, ticks and wild hogs were the highlights of this camping adventure
Here are the continuing highlights of my camping adventures at Manatee Springs State Park, and elsewhere:
The coral snake: Just as the Indians did hundreds of years ago, we sally forth from our campsite in the morning to gather provisions, which means we invent an excuse to ride in the air-conditioned car to the Jiffy Mart to buy Twinkies. When we return, we are told that one of our party, having nothing better to do while we were gone, took an ax and chopped in half what appeared to be a coral snake, although it might have been one of the many harmless varieties of snakes which roam the campground, slither into your sleeping bag at night devour you in a single, 20-hour sitting.
When I examine the half of the snake that did not flee into the woods to kill again, I quickly remember the old rhyme about identifying coral snakes by their color stripes:
Red touch yellow,
Kill a fellow.
Red touch black,
Go ahead Jack
And try your luck, fool.
Yes, this is definitely a coral snake half. As we stand there congratulating ourselves on our deadly snake-killing prowess, it occurs to me that there is half a coral snake still out there somewhere, and it is probably angry, and maybe we should relocate our campsite to a safer location, such as the Econo-Lodge in Minneapolis.
Since there is nothing better to do until the after-dark woodlands “Star Wars” sound effects, I take the coral snake half and coil it at the door to the ladies’ restroom. For hours, I entertain myself by watching women emerge from the restroom and blithely tromp on the snake half. By now, an intact coral snake would have put itself out of its misery by biting itself.
The tick: The woodlands of Florida abound with insect life, as to the homes, places of business, hospitals and major theme parks of Florida. The entire state is a vast, writhing breeding ground for insect life, and Manatee Springs State Park is no exception. At night, we entertain ourselves by watching giant roaches crawl up the tent, secure in the knowledge that they will probably be stomped to death by wild hogs, or eaten by the Bobs.
One insect visitor to our campsite is a tick. For you camping beginners who do not know the difference between a tick and a Port-a-Potty, I should explain that a tick is a disease-carrying organism, just as every living thing on this planet is a disease-carrying organism, except Julie Andrews. Ticks attach themselves to you and suck your blood, just like television evangelists.
One of our party is bitten by this evil tick. We apply all the traditional folk remedies: touching the tick with a lighted match, spreading oil and peanut butter over its abdomen, bribing it with offers of its own syndicated talk show. By the time we get it out, our victim is ready to say to hell with everything and have the leg amputated.
This column was published in the June 2, 1988 edition of the Northwest Florida Daily News and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Each spring, as flowers and hay fever sufferers burst into bloom, our thoughts turn to flights of fancy, such as a camping adventure.
I am a veteran of a camping adventure, and the fact that I am here to tell you about it is a testament to how far we have advanced, as a civilization, in the field of reconstructive brain surgery.
If you are thinking about a camping adventure, let me advise you to lie down and take several pills, until the feeling passes or you die. If you refuse to do that, then I refer you to my story, “Camping in Florida, or Why Spain Was So Eager to Lose the War.”
MANATEE SPRINGS STATE PARK
My camping adventure begins at Manatee Springs State Park. Manatee Springs is considered an “unspoiled” area, which means we will not be camping next to a Jiffy Mart Video Rental Center. It is called Manatee Springs because, long ago, manatees (also known as “sea cows”) flocked to the park to hide from sex-starved sailors who mistook them for Soviet mermaids.
As we approach the entrance, we are greeted by a park ranger. There’s no sign of Lassie, however. The ranger offers us a list of helpful survival hints, such as: DO NOT PET THE WATER MOCCASINS.
The campground is in a heavily wooded tract which has probably remained unchanged for hundreds of years, since the time Indians camped there and cursed the lack of Jiffy Marts. Our campsite is a lovely 20- by 20-foot square of dirt, equipped with a 20th century water faucet jutting from a slab of concrete in a manner reminiscent of the Sword in the Stone. We could have stayed in one of your better Econo-Lodges for almost the same price, but who would waste a perfectly good vacation at an Econo-Lodge, with its relentless hot water and plush beds, when he can sleep on dirt with the fire ants and water moccasins?
Our home for the next week is a tent, which is as simple to assemble as a child’s Christmas toy, which we all know is impossible to assemble, especially if we have been drinking. The tent is a marvel of contemporary engineering in that it RETAINS HEAT, a feature which will serve us well on those chilly Florida nights when the temperature actually plummets below 85.
Our “neighbors” are a man, his wife and two children, although the children might actually be the wild hogs the helpful park ranger warned us not to pet. The man is so overweight he looks as if he needs orthopedic sawhorses to prop up his many quivering chins. He is sitting in a lawn chair, and my keen woodland instincts tell me he has not moved in a very long time, perhaps since Indians roamed the area, because of the moss growing on his north side. I don’t remember his name, so I’ll just call him “Bob.”
We quickly establish relations with the Bobs, promising to come to each other’s aid should we be attacked.
Next week: camping highlights.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
The women in the backshop are standing there putting together a jigsaw puzzle, and I want this madness to stop right now because they’ve almost got it finished and I could never get past unwrapping the box.
You’d have to be nuts to sit there for hours trying to fit little hacked-up pieces of cardboard to form a picture of Elvis, when you can go down to a roadside stand and BUY a perfectly good picture of Elvis on purple and black velvet, and it’s already put together.
Jigsaw puzzles are things mothers once used to get the kids out of their hair until television was invented. The problem was that kids couldn’t go more than a few seconds before puzzle-building gave way to hair-pulling, then the pieces would get scattered all over the house and you’d be finding them in the refrigerator or in the bedsheets for months afterwards.
What was worse, children had this terrible habit of asking their parents for help. The standard reply was, “No, dear. Mommy can’t help because that would spoil all the fun for you,” which really meant, “Mommy doesn’t want to put together some dumb jigsaw puzzle of Bambi and Thumper discussing the nature of reality, and why don’t you kids work on it for several years until I get a healthy layer of scar tissue over these ulcers?”
But then Mommy would be passing by and see a piece that fit into a hole, and pretty soon Mommy would be on the floor searching for more pieces that fit and occasionally shrieking “I FOUND ONE!” while the kids are off pulling each other’s hair or testing the cat’s reaction to having its tale inserted into the garbage disposal.
A big problem with jigsaw puzzles is that a piece is always missing. Space aliens from the galactic center of the universe could land in Washington, D.C., and deliver a solid gold jigsaw puzzle as a gift to all mankind, and piece would be missing.
Another thing you have to consider is the personality of a person who enjoys working jigsaw puzzles. Basically, these people sick. Why else would anyone spend a significant portion of his lifetime connecting pieces of cardboard to form pictures of things he would never allow to soil his walls, when he could be doing constructive things such as developing new uses for that stuff that collects in drains, or solving the mounting national deficit?
Which leads me to the mounting crisis of the national deficit. I have hit upon the solution to the deficit problem, which is to have Oliver North shred it into 20 or 30 jillion skillion pieces and mail envelopes of the pieces to all the taxpayers, then throw a national jigsaw puzzle party and invite the entire nation to put the deficit back together.
While everybody is doing this, the government can jack taxes through the roof and nobody will notice because they’ll be busy covering North America with the Mounting Crisis of National Deficit Puzzle, and by the time it’s put together nobody will be around to worry about the deficit.
This column was originally published in the Northwest Florida Daily News and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
I recently had an opportunity to take a midwinter vacation, and because I didn’t want to spend a lot of money traveling somewhere, I decided to spend this week right here in Florida, the tourist capital of the United States,
So … what does one do when vacationing in Florida? He goes to the beach, naturally, and that’s what I did. But early February isn’t exactly a boom season for beach-lounging.
I picked up garbage.
At this point you must be thinking, “He’s finally done something to earn one of those jackets with no sleeves and permanent residency in a padded cell.” Picking up garbage might not constitute a vacation you write home about, but if nothing else, it was an education for me.
A few years ago I took another midwinter vacation, and I spent that week exploring nearby places I had never seen. One stretch of beach particularly impressed me with its unspoiled beauty. It must have looked that way for hundreds of years. Except for the garbage.
The garbage had been left there by boaters and explorers like myself who were less appreciative of the natural wonder about them. It made me angry, and this time I decided to do something about it.
I spent only four days picking up garbage. It rained three days and I took off a day because I hurt my back with all that bending over and lifting. But in those four days I hauled 30 bags of garbage from a stretch of land I’d estimate to be 200 yards in length.
In a way it was fun, because you wouldn’t believe some of the junk I found. Empty flare cartridges. Light bulbs – who takes light bulbs to the beach? Disposable diapers (yech!). Shot cups from shotgun shells. Broken toys. Shoes. Socks. Photos that apparently had fallen from somebody’s wallet. Somebody’s boat registration (It was sealed in a plastic bag, and the owner’s address was printed on the front, So I returned it to him. Water had gotten inside the bag, but I think he could dry it in the oven).
But 90 percent of the garbage consisted of bottles and plastic, and I am now convinced this state needs a bottle deposit law. You simply would not believe the number of bottles I found. Some had been broken in horrifying ways. It was commonplace to find huge, jagged pieces of glass protruding from the sand. If someone had stepped on the glass, he would have needed a trip to the hospital.
And the plastic! Bags and pieces of rope and plastic containers were scattered everywhere. They were ensnarled in tree roots; they littered the dunes and thatches of beach scrub.
Seeing this kind of thing can give you an unhealthy disrespect for your fellow man.
You read stories and you watch television programs about the environment and how mankind’s disregard for the world around him is laying nature to waste. You never see those stories about this area, though. Everything is supposed to be generally OK in these parts.
Well, if this is OK, I’d hate to see the really bad places. Because nothing must live there, not even people.
This column was originally published in the March 3, 1988 edition of the Northwest Florida Daily News and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Image courtesy of Quinn Dombrowski by way of a Creative Commons license. https://www.flickr.com/photos/quinnanya/
As a homeowner, I have had my eyes opened to a range of marvelous new experiences, many of them requiring the absence of money. One such experience is a clogged drain.
In the halcyon days of my youth, a clogged drain meant waiting until 2:30 when Dad would come home from work to fix it. Now, a clogged drain means that I, as an adult male and, by default, the head of the household, am expected to flail at the accursed thing for at least an hour before calling Dad, who must come home from work and then drive across town to my house to fix it.
I was taking a shower recently when I noticed that my kneecaps were submerged. My keen powers of perception told me that water was not draining from the bathtub, and with my equally acute powers of deductive reasoning, I swiftly determined that something – probably a big wad of mutant hairballs – had plugged the drain.
Minutes later I entered the bathroom dressed for battle: a plumber’s snake dangled from my fist like a bullwhip. The furrows in my forehead, plowed there by grim determination, were dotted with beads of sweat, or perhaps bath water, because I had forgotten to towel off.
You are probably asking yourself: What is a plumber’s snake? Is it one of those things you read about that swims up into toilets and gives elderly ladies heart attacks?
No. Basically, a plumber’s snake is a long metal device that you use to damage shower tiles and small children if they happen to be in the same voting precinct when you are cranking it.
I began ramming the snake down the drain. I immediately encountered an obstruction, because the snake kept wanting to spring back out of the drain as if it were some mad jack-in-the-box. The obstruction turned out to be a bend in the pipe.
More of the snake began to slip into the drain. I could hear it clearly … so clearly that my powerful intellect was able to guide me to the conclusion that it had gone UP the pipe instead of DOWN, and would have inserted itself into my ear had it not been for a metal plate covering the opening beneath the faucet.
I reasoned that if I could remove that metal plate, I could force the snake DOWN, and it could go nowhere but into the drain pipe, unless it bored through the pipe and into Earth’s crust.
So I set about unscrewing the screw that held the plate in place. I did not know the screw hadn’t been moved since man developed metallurgy, and no sooner than I could say, “What hath God wrought,” the screw broke, the plate fell off and I was staring at a slime-encrusted hole that resembled a biblical description of hell.
Ever the opportunist, I inserted the plumber’s snake into the hole and began merrily plunging away, and half an hour later I had slime all over the bathroom, the drain was plugged worse than ever and it was almost time to go to work.
That’s when I called Dad.
I’m happy to report the drain is now clear and the lid to hell has been capped and you can all return to your homes. Except the kitchen faucet is dripping.
This column was originally published in a February 1988 edition of the Northwest Florida Daily News and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, Ello and Instagram. Visit his website at delstonejr.com .
Who knew I had such deep thoughts?
Filmmakers would have you believe every hour of every day is fraught with adventure. The typical cinematic day begins with an illicit love affair followed by a mysterious telephone call, a car chase and a narrowly thwarted assassination attempt.
But life rarely imitates art. This occurred to me recently as I was standing in an office supply store. The clerk had just told me IBM manufactures a ribbon cassette that is compatible with my Royal typewriter. That made me happy – inordinately happy. And I didn’t know why.
After all, small success stories such as these are not the stuff of which entertainment is made. Had I not been taught by 25 years of watching television and movies that a person could not be truly happy unless he were realizing his most extravagant dreams?
It had been a good day, so far, and as I went over the events that had made it that kind of day, I began to remember something many of us often forget under the barrage of video and celluloid fantasies.
That morning, I finally discovered a place where our writers’ group could meet. I belong to the Redneck Riviera Writers Group. We get together twice a month and compare notes on the business of writing. We had been meeting at people’s homes, or local eateries, but it soon became obvious that if we were to expand beyond our current membership of five people, we would have to find a permanent meeting place. After a fruitless search, we found a new home at the YMCA, courtesy of Joe Lukaszewski. That made me feel good.
Something else nice happened that morning. I found a book of Ramsey Campbell short stories I hadn’t known existed. I’m a student of the short story and Campbell is a bona fide master. The book should be fascinating.
I also picked up what I think will be the perfect gift for a friend. It, too, is a book of short stories, but these are special. I had never seen the book outside of the one copy I’d been hoarding for myself. Now she can enjoy it too.
Pop artist Andy Warhol died recently. In one of his obituaries I came across a reference to a movie of his titled “Sleep.” The movie depicted a person sleeping. That’s it. Two hours of a person sleeping. The entertainment virtues of the film are less than dubious and the artistic virtues debatable, but I think I understand what Warhol might have been saying.
The small, mundane successes and failures – things that would end up on the cutting room floor – are the body and texture of life. They are what make life an endlessly fascinating experience. Spilling coffee on the living room carpet. Finding a letter from a friend in your mailbox. The thousand things that you forget a day after they’ve happened. They are what get us through accomplishments to crises.
So it was a pretty good day. Not great, but not horrible. Just something to be thankful for.
This column was published in the Sunday, January 10, 1988 edition of the Northwest Florida Daily News and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Lt. Col. Oliver North testifying before Congress in the summer of 1987. Photo courtesy of The Associated Press
“There they go,” the man said, glancing at the image of Lt. Col. Oliver North on the television. “Crucifying Ollie.”
It was only the first day of North’s testimony before the congressional committees investigating the Iran-Contra affair, but the hearts and minds of people all across America, apparently, had already been won by this David as he defiantly challenged the bureaucratic Goliath.
By the time North concluded his testimony, he had become a hero. Even committee members seemed consternated by the public’s infatuation with the man, leavening their tepid criticism of his actions with praise and apologies.
This groundswell of support for North was the product of many factors: North wore a military uniform – Americans cannot resist a uniform; North eloquently expressed his patriotism; North distanced himself from the Washington paper pushers, whom most Americans regard with disdain.
But the roots to North’s popularity go much deeper than that. If the letters, telegrams and bumper stickers may be considered a barometer of American sentiment, it would seem approval for what North did was not so much a motivating element as disapproval for what Congress had been doing.
In letters to this newspaper, in radio polls and roadside signs, the public has vilified Congress for meddling in the president’s foreign policy initiatives, for vacillating on the issue of confronting communism, for grandstanding before cameras for votes. North happened to be in the right place at the right time; anybody could have thumbed his nose at the investigating committees and America would have cheered.
Which leads to a fundamental shortcoming in the public’s perception of this affair. Regardless of which side of the fence you stand concerning North’s guilt or innocence, the fact is we, the voters, are responsible for what has happened.
Why?
Because many of us do not take time before an election to acquaint ourselves with the candidates. Because we tend to choose the candidate with the most effective advertising campaign. Because we vote straight-party tickets instead of considering each candidate on his unique merits. Because we don’t even bother to vote.
It seems hypocritical of Americans to take Congress or the administration to task, when Americans elect Congress and the president. Did nobody hear President Reagan say he would solicit aid for the Nicaraguan Contras? Has nobody heard their congressmen take a stand on this issue?
If you believe Lt. Col. North is guilty of crimes, and you have neglected your responsibilities as a voter, then you have no one to blame but yourself.
Likewise, if you believe that Congress’s sloppy stewardship is at fault, and you have neglected your responsibilities as a voter, then you have no one to blame but yourself.
This column was originally published by the Playground Daily News in the 1980s and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
This is the Sunday, Feb. 7, 1988 edition of the Northwest Florida Daily News featuring the new name and new look. Image by Del Stone Jr.
Our newspaper, the Daily News, has embarked on an ambitious redesign project which I am overseeing, and this has given me the opportunity to investigate many important design questions, foremost among them the question of how much am I going to be paid extra for doing this.
The staff and I have become like brothers and sisters during this project, and though my sisters and I fought to near-death until we were older and wiser and could hire trained killers to manage our inter-family relationships, I have nothing but optimism for the redesign’s eventual success, though I may be witnessing that happy event from the great newsroom in the sky.
If I were to offer a single piece of advice to an editor contemplating a redesign, it would be to lie down and take several pills until the feeling passes or you die. But newspapers must change if they are to survive, which what the last Neanderthal man said as the tool-making Cro-Magnon man sedated him with a large clubbing tool. So to avoid the tar pits I have blundered into, you should consider the following:
WHAT GOES THERE? The most difficult aspect of a redesign involves choosing an identity for your newspaper. Presumably, your newspaper’s identity should be derived from your community’s identity, unless your community consists of a penal colony, an industry that has been rendered obsolete by talking Japanese toy robots and a rehabilitation clinic for serial ax murderers. In that case you should put a large brown bag over your community and kidnap subscribers from other communities.
If felony is not an option and your community has no identifiable identity, it would be best if you published your newspaper under what is known as an Assumed Identity, which will then impart an Assumed Identity to your community so that nobody will know who anybody else really is, and your community will probably be crossed off the map, as if it were participating in a federal witness protection program.
WHAT’S IT GOING TO LOOK LIKE? Will your newspaper be gray and drab and remind the reader that he really should get going and have that will made out? Or will ti feature high-candlepower, dazzling color photographs, eye-popping graphics and multi-chromatic bar treatments, so that when the reader opens the page he is charred by third-degree powder burns?
Decisions, decisions. You can save yourself some trouble if you take this precaution: If the redesign looks bad, stick to your guns, at least for the first 10 minutes, then blame it on someone else such as the Advertising Department or the community. You can even blame it on the federal witness protection program. At any rate, it certainly wasn’t YOUR fault.
PRODUCING MOCKUPS: A number of pitfalls await the designer at this stage of the project.
1. You will be tempted to use may different typefaces so that your pages resemble ransom notes. Do not do this. Stick to only several hundred typefaces, and carefully regulate their usage, as in, “Helvetica may only be used when the Pope canonizes another street dweller” or, “Perpetua is reserved for stories about hang glider pilots who find religion in the clouds, not to mention birds of prey.”
2. You will be tempted to box as many stories and photographs as you can, which will look as if a spider’s web has been sucked into the press. It’s much easier if you use fewer rules but compensate by increasing the thickness of the rule. For example: DON’T use 400 one-point rules on a page. Instead, use a single 400-point rule.
3. Many, many years ago, as far back as the early ’80s even, it was decided that tint blocks could break up a gray page with the really novel approach of putting even more gray on the page. Now that pages resemble aerial photographs of Nebraska farmland, you may be tempted to refine the process by screening only selected passages of stories, as if your page had passed through the hands of Israeli censors.
I suggest you screen the entire page.
GETTING READY FOR THE REDESIGN: Eventually, you will actually have to do something to bring the redesign closer to reality, such as talking about having a negative of something made. This will require expertise in negotiating with the cameraroom, which means you should spend few hours each week at a pistol range before you actually go into the cameraroom to negotiate.
This is how the conversation might go if you are unprepared:
You: Excuse me, sir, but could you please make a negative of this? I know it’s an imposition and I promise to make it up to you somehow, though I can’t say when because little Billy needs an operation to remove my wife’s pacemaker from his stomach, which he accidentally swallowed when he was giving mouth-to-mouth resuscitation to his older sister after she tried to hock the pacemaker to a neighborhood crack dealer and the FBI raided the place and she put it in her mouth to hide the evidence and then fainted because she’s hypoglycemic, and the only reason little Billy was there to save her was because she was supposed to be babysitting him since my wife is in the hospital having her intestines scraped.
Camerarooom dweller: Die and go to hell.
You: Yes sir, and thank you sir. You’ve been more than generous with your time.
But with adequate preparation, you can have the cameraroom eating out of your hands.
You: Hands up against the wall. Spread ’em! Make a negative of this and don’t give me any backtalk or I’ll blow your brains out all over the mounting plate with this .357 Magnum.
Cameraroom dweller: YES SIR! You’re a rough and tough newspaper designer, and I’m going to do exactly what you say right now! And how else may I serve you, Master?
CHANGE, CHANGE AND MORE CHANGE: At some point during the redesign process, probably between the “Developing of High Concepts” stage and the “Just Chewing the Fat about It” stage, keener minds will begin to suspect that a redesign might alter the newspaper’s appearance.
This must be avoided at all costs. Nobody must know anything – not even you. Otherwise, you will seriously reduce the level of confusion when the redesign debuts.
WHEN THE REDESIGN DEBUTS: You will know if the redesign is a success if you walk into the newsroom and are greeted with thunderous applause and the publisher hands you a check for $20 skillion dollars, in which case you should thank your producer, your director and all the little people who helped you.
But just to be on the safe side, have a Lear jet standing by with the engines running.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .
Let me bore you with the story of our trip to the Bahamas. I’ll tell it in sequence, since that’s the way it is in the police reports.
Day 1: Long road trip to Tampa. I won the “Who Can Spot the First Wild Palm Tree” contest. I saw a whole row of them growing next to a house.
Tampa International Airport. The metal detector went haywire when it spotted the case of beer in our luggage.
I anesthetized myself at the airport, so the flight to Miami was OK, as was the flight to the Bahamas.
The baggage-carrier mangled my luggage. I had to chase it around in circles, yanking on it like one of those dumb games your dog plays with the clothes on the line at night. I think I was even growling.
The rental car was a disaster. I sat in the parking lot for 10 minutes racing the engine without the car ever moving. I discovered the clutch had to be let out all the way before the gears would engage. The muffler was about to fall off. The steering wheel had palsy. So did the brakes.
Day 2: I was lying by the pool, reading a book, when a Bahamian man scaled a palm tree above me. Suddenly, coconuts were thudding to the ground like artillery rounds, bouncing all around me, giving me reason to fear for my life. Dave hacked at a coconut with a knife for 30 minutes before uncovering a puny rind of meat and a squirt of juice that tasted like goat spit.
Sand and Dave took the car for a spin. The car broke down 10 miles from home. They ad to push-start it back to the rental agency. They got a new car with a muffler that was falling off, a goofy clutch – all the standard rental-car features.
Day 3: We stocked up on supplies – Captain Crunch, chocolate chip cookies, chips and dip, orange juice, etc. A case of beer cost $24.
We also stopped by a road sign that said “LITTERING IS UGLY AND STUPID” for a photo of us throwing litter on the ground.
We paid Flossy for the bread, but you’ve already heard the gory details.
Goombay Festival by the pool. The Amazing somebody did tricks with flaming sticks; we waited for her to ignite herself.
Day 4: Snorkeling on the reefs. We rode out on a big boat that swayed back and forth, back and forth, until the previous night’s gluttony threatened to make reappearance. The reefs were very beautiful; the see-through bathing suits were very beautiful.
We had a picnic on the beach. I stood on my head underwater and got salt water permanently deposited in my sinuses.
I also managed to flatter the cook and got a gigantic piece of barbecued chicken as my reward.
We went swimming afterward (No, Mom, I didn’t wait an hour after eating!). Some snorkelers nearby told us a 700-pound stingray was swimming directly below us. I decided it was time to towel off.
Next week: Losing money the Bahamian way.
This column was originally published in the Playground Daily News in 1987 and is reprinted with permission.
Recently, many of you were shocked and saddened to learn that I was living at my parents’ home because the newspaper publisher refuses to pay the piddling $4,000 per week necessary for me to buy a home of my own.
The outpouring of grief and sympathy was heartwarming, and I truly appreciate the thousands of letters of support I received from real estate agents.
You will be happy to learn, though, that I have finally purchased a house. Now you can go back to worrying bout other things, such as nuclear war and the trade deficit.
It was all rather sudden. In fact, I’m still not sure if I actually bought the house or will live in it as an indentured servant. At any rate, I signed many papers and learned how to repeat difficult-to-pronounce terms such as “soffit,” “escrow,” “bankrupt” and “debtor’s prison.”
Looking for a house was an exciting experience. It ranks alongside having hemorrhoids surgically removed. The problem is that no matter how nice a house you find, you are hesitant to commit yourself to 30 years of payments, especially if you are under the influence of alcohol. But I was assured everything would be fine after a week of diarrhea.
As a potential buyer, I was given vast powers. I could barge right into a house – even if the occupants were having dinner, reproducing, hiding dead bodies or planning the overthrow of the government. This experience taught me two very important lessons: (1) Many of us are slobs, and (2) do not enter a slob’s house until the dog is chained up.
Before I went looking for a house, I prepared a rigorous checklist of important features that a prospective house would have to meet:
1. Did I see roaches during my inspection?
2. Was the house constructed on an ancient Indian burial site?
3. Did the neighbors have moats or gun ports on their houses?
4. Was there any indication that devil worshipers had conducted midnight rituals involving goats on the premises?
5. Was the house within staggering distance of a pub?
Fortunately, the house of choice exhibited none of these characteristics, and even offered several pluses, such as a telephone in the utility room; so now, as suds spew from the washing machine, I can call Mom and ask, “You mean you’re not supposed to use the entire box of soap?”
When my working companions learned I had purchased a house, they wanted to know one thing: When is the party?
The party, my good friends, is when you cough up the microwave ovens and rocker-recliners and wall-to-wall bookshelves. I guess that means never.
Perhaps years from now, when my neighbors are assured that I won’t be raising llamas in the back yard or renting out the spare room to a heavy-metal guitarist, I will have a housewarming party.
But first, I have to get a couch.
This column was originally published in the May 20, 1987 edition of the Northwest Florida Daily News and is used with permission.
About the author:
Del Stone Jr. is a professional fiction writer. He is known primarily for his work in the contemporary dark fiction field, but has also published science fiction and contemporary fantasy. Stone’s stories, poetry and scripts have appeared in publications such as Amazing Stories, Eldritch Tales, and Bantam-Spectra’s Full Spectrum. His short fiction has been published in The Year’s Best Horror Stories XXII; Alfred Hitchcock’s Mystery Magazine; the Pocket Books anthology More Phobias; the Barnes & Noble anthologies 100 Wicked Little Witch Stories, Horrors! 365 Scary Stories, and 100 Astounding Little Alien Stories; the HWA anthology Psychos; and other short fiction venues, like Blood Muse, Live Without a Net, Zombiesque and Sex Macabre. Stone’s comic book debut was in the Clive Barker series of books, Hellraiser, published by Marvel/Epic and reprinted in The Best of Hellraiser anthology. He has also published stories in Penthouse Comix, and worked with artist Dave Dorman on many projects, including the illustrated novella “Roadkill,” a short story for the Andrew Vachss anthology Underground from Dark Horse, an ashcan titled “December” for Hero Illustrated, and several of Dorman’s Wasted Lands novellas and comics, such as Rail from Image and “The Uninvited.” Stone’s novel, Dead Heat, won the 1996 International Horror Guild’s award for best first novel and was a runner-up for the Bram Stoker Award. Stone has also been a finalist for the IHG award for short fiction, the British Fantasy Award for best novella, and a semifinalist for the Nebula and Writers of the Future awards. His stories have appeared in anthologies that have won the Bram Stoker Award and the World Fantasy Award. Two of his works were optioned for film, the novella “Black Tide” and short story “Crisis Line.”
Stone recently retired after a 41-year career in journalism. He won numerous awards for his work, and in 1986 was named Florida’s best columnist in his circulation division by the Florida Society of Newspaper Editors. In 2001 he received an honorable mention from the National Lesbian and Gay Journalists Association for his essay “When Freedom of Speech Ends” and in 2003 he was voted Best of the Best in the category of columnists by Emerald Coast Magazine. He participated in book signings and awareness campaigns, and was a guest on local television and radio programs.
As an addendum, Stone is single, kills tomatoes and morning glories with ruthless efficiency, once tied the stem of a cocktail cherry in a knot with his tongue, and carries a permanent scar on his chest after having been shot with a paintball gun. He’s in his 60s as of this writing but doesn’t look a day over 94.
Contact Del at [email protected]. He is also on Facebook, twitter, Pinterest, tumblr, TikTok, and Instagram. Visit his website at delstonejr.com .